GOYA’s Art

GOYA’s Art Francisco de Goya (1746-1828) - Francisco José de Goya y Lucientes

Ambas composiciones no están solas. La sala se completa con hasta ─habitualmente─ ocho obras más. En torno a 1815 Goya p...
28/04/2026

Ambas composiciones no están solas. La sala se completa con hasta ─habitualmente─ ocho obras más. En torno a 1815 Goya pinta dos autorretratos muy parecidos entre sí, el del Prado parece una variante de la obra de la Real Academia de las Bellas Artes de San Fernando. Ambos comparten la fuerte carga psicológica y la expresividad de las miradas. Aunque la expresión de las caras es distinta. Goya logra que el espectador centre su atención en el enérgico rostro, reflejo de todo lo vivido. El museo, en la sala 38, expone otro autorretrato de Goya, de muy reducido tamaño, realizado 20 años antes ─1795─. De todos, yo me quedo con el retrato del anciano Goya, de gran carga psicológica, realizado por el extraordinario pintor Vicente López.
Source from Prado Museum

Francisco de Goya, El 3 de mayo de 1808 o Los fusilamientos (detalle), 1814, óleo sobre lienzo, 268 x 347 cm, Madrid, Mu...
28/04/2026

Francisco de Goya, El 3 de mayo de 1808 o Los fusilamientos (detalle), 1814, óleo sobre lienzo, 268 x 347 cm, Madrid, Museo Nacional del Prado

Francisco de Goya, El 2 de mayo de 1808 o La lucha contra los mamelucos (detalle), 1814, óleo sobre lienzo, 268,5 x 347,...
28/04/2026

Francisco de Goya, El 2 de mayo de 1808 o La lucha contra los mamelucos (detalle), 1814, óleo sobre lienzo, 268,5 x 347,5 cm, Madrid, Museo Nacional del Prado

Francisco de Goya, El 2 de mayo de 1808 o La lucha contra los mamelucos, 1814, óleo sobre lienzo, 268,5 x 347,5 cm, Madr...
28/04/2026

Francisco de Goya, El 2 de mayo de 1808 o La lucha contra los mamelucos, 1814, óleo sobre lienzo, 268,5 x 347,5 cm, Madrid, Museo Nacional del Prado.
Source museum.

12/04/2026

The Art in Spain 🇪🇸 Before and in Time of GOYA
————————
Fresco (DETAIL)
Created: 1765
Giovanni Battista Tiepolo (Italian artist, 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo)

Location: Salón del Trono, Palacio Real de Madrid (Madrid Royal Palace)

12/04/2026

Artwork: The Milkmaid of Bordeaux
Artist: Francisco Goya (Born: March 30, 1746 Spain-Died: April 16, 1828 (aged 82) Bordeaux France)
Period: Romanticism

The Milkmaid of Bordeaux is an oil-on-canvas painting completed between 1825 and 1827, generally attributed to the Spanish artist Francisco Goya. This painting is believed to be one of Goya's last works, completed the year before his death, and considered one of Goya's masterpieces. Wikipedia
Artist: Francisco Goya
Period: Romanticism
Created: 1827
Genre: Portrait
Location: Museo del Prado, Madrid
Dimensions: 74 cm × 68 cm (29 in × 27 in)

The Milkmaid of Bordeaux (Spanish: La lechera de Burdeos) is an oil-on-canvas painting completed between 1825 and 1827, generally attributed to the Spanish artist Francisco Goya (1746–1828).

Although the picture is held in great esteem and widely admired by critics and the public, doubt has been cast by art historians as to whether it is an actual Goya. If authentic then it is likely a portrait of either Rosario Weiss, or more likely, her mother Leocadia Weiss—the artist's nurse during the last years of his life. Leocadia cared for Goya in exile in Bordeaux, where he settled to live among politically liberal friends.

Following his death, the painting was willed to his last child, Javier (b. 1784). Financial difficulties a year later forced him to sell it to Juan Bautista de Muguiro, a distant relative. Muguiro's descendants donated the work to the Museo del Prado in 1946, where it remains a popular exhibit at the gallery, despite doubts as to its origin.

Rosario was later a painter, and it is sometimes claimed that she may have been the creator of this work. However, when compared to the relatively amateur works of hers held in the Academia de San Fernando, it is generally considered highly unlikely.

12/04/2026

Artwork: Witches' Sabbath (The Great He-Goat)
Artist: Francisco de Goya (30 March 1746 – 16 April 1828)
Year: 1797–1798
Medium: Oil on canvas
Dimensions: 43 cm × 30 cm (17 in × 12 in)
Location: Museo Lázaro Galdiano, Madrid

Witches' Sabbath (Spanish: El Aquelarre) is a 1798 oil on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It was purchased in 1798 along with five other paintings related to witchcraft by the Duke and Duchess of Osuna.
Wikipedia

06/01/2026

Artwork: The Parasol ☂️
Artist: Goya (Born
Francisco José de Goya y Lucientes
30 March 1746 - Fuendetodos, Aragon, Spain-Died 16 April 1828 (aged 82) - Bordeaux, France)
About: c. 1777
Medium: Oil on linen
Dimensions: 104 cm × 152 cm (403⁄4 in × 591⁄4 in
Location: Museo del Prado, Madrid
The Parasol (also known as El Quitasol) is one of a cartoon series of oil on linen paintings made by the painter Francisco Goya. This series of paintings was specifically made in order to be transformed into tapestries that would be hung on the walls of the Royal Palace of El Pardo in Madrid, Spain. The tapestries showed serene events in everyday life, which made them a nice addition to the dining room of Prince and Princess of Asturias—the future King Charles IV and Maria Luisa of Parma. The queen called on Goya because she wanted to decorate the dining room with cheerful scenes; The Parasol and the other tapestry paintings were Goya's response to this request. The painting is currently located in the Museo del Prado in Madrid as is another in the series, Blind man's bluff.
Source Wikipedia

06/01/2026

Francisco de Goya in The Charterhouse of Aula Dei. Aragon. Spain

Artwork: Birth of the Virgin Mary (detail)
Artist: Francisco de Goya (1746–1828)
About: 1774
Medium: Fresco
Location: Zaragoza, Aula Dei

06/01/2026

Autoportrait, (c. 1773-1774)
Artist: Francisco de Goya y Lucientes (1746-1828)
Medium: Oil on canvas
Location: Museo Goya. Colección Ibercaja

The first self-portrait that is known of the artist, it was painted in ca. 1775 shortly after his arrival in Madrid after being summoned by Mengs to work as a cartoonist at the Royal Tapestry Factory. He was inspired by a self-portrait by Mengs painted in ca. 1773. Goya was twenty-nine years old and would have painted it to assert himself as an artist in the early days of his career at the royal court. He portrayed himself with total realism in a pretentious and self-confident pose, with his long black hair falling over his shoulders and his winter riding jacket made of dark woollen cloth. His facial features and the expressiveness of his eyes and lips are masterfully enhanced by the light. This portrait was painted with great skill and meticulousness, with the paint applied in long brushstrokes, in the style of Mengs. Goya was already showing his splendid qualities as a portraitist.

Source: https://museogoya.fundacionibercaja.es/en/obras/self-portrait

El Quitasol - The Umbrella (The Parasol) ☂️ (1777) represents Goya's first masterpiece, a painting all the more special,...
28/10/2025

El Quitasol - The Umbrella (The Parasol) ☂️ (1777) represents Goya's first masterpiece, a painting all the more special, as it is considered so "despite" the light, affected, even frivolous air of the subject. The genius lies in the following challenge: overcoming the aesthetic traditions of the era, but also of the centuries of art history for which the great painting had to coincide with the "great" refined, sacred story, whether mythological or historical.

Artwork: El Quitasol (The Umbrella )☂️
Artist: GOYA (Francisco José de Goya y Lucientes, 30 March 1746 – 16 April 1828)
Created: 1777
Medium and techniques: Oil
Dimensions: 1.04 m × 1.52 m
Location: Museo del Prado, Madrid

Boucher. The reflection that illuminates the brunette's face from bottom to top fills this motionless minuet with life, reveals it through the same energy that radiates from it. The flesh heats up, and the blood pulses under the skin.
The pinnacle of modern painting, The Umbrella thus demonstrates the unimportant character of the subject for what modern art itself wants to be, for that which has decided to discover its profane and secular side and penetrates existence without regrets or inhibitions.
As I was saying, the matter and the physical character of the painting impose themselves, taking the place of subjects and symbols, acquiring significance by enchanting the retina, as well as by conquering the sensory.
Translation and adaptation by

Dirección

Fuendetodos

Notificaciones

Sé el primero en enterarse y déjanos enviarle un correo electrónico cuando GOYA’s Art publique noticias y promociones. Su dirección de correo electrónico no se utilizará para ningún otro fin, y puede darse de baja en cualquier momento.

Compartir

Categoría