Best Architecture

Best Architecture Design By : Arsalan Vatani

Minghu Wetland Park
05/09/2015

Minghu Wetland Park

The Cleveland Museum of Art by Rafael Viñoly Architects, ClevelandRafael Viñoly was tapped for the second addition to Hu...
25/05/2015

The Cleveland Museum of Art by Rafael Viñoly Architects, Cleveland
Rafael Viñoly was tapped for the second addition to Hubbell and Benes’ original 1916 Beaux-Arts design, following an expansion by Marcel Breuer in 1971. The Uruguayan architect splits the difference between the two aesthetics with broad bands of white marble alternating with thin black stripes, a nod to the rather darker Breuer wing. Effectively doubling the size of the museum, to 592,000 square feet, the project opened in three phases from 2009 to 2013.

singapore sports hub
16/05/2015

singapore sports hub

Rotterdam Hall Market
16/05/2015

Rotterdam Hall Market

16/05/2015
26/04/2015
2244 South Yosemite Drive | Mark Godson | Palm Springs . California | 1965
18/03/2015

2244 South Yosemite Drive | Mark Godson | Palm Springs . California | 1965

Awards | ASLA . 2008 | 04.27.14 |  #1056RESIDENTIAL DESIGN HONOR AWARDAltamira Ranch, Palos Verdes, California Marmol Ra...
06/03/2015

Awards | ASLA . 2008 | 04.27.14 | #1056

RESIDENTIAL DESIGN HONOR AWARD

Altamira Ranch, Palos Verdes, California
Marmol Radziner & Associates, Los Angeles, California

"A summer camp for a family. The landscape architect designed a highly articulated plan that relates beautifully to the home and residents. The craftsmanship is beautiful, particularly the concrete work."

— 2008 Professional Awards Jury Comments

PROJECT STATEMENT: At Altamira Ranch, the architectural and landscape designs work together to create a project that, despite its impressive scale, looks and feels as though it emerged from the surrounding environment. Through careful siting and the use of local material, including indigenous stone and native California plants, the design of Altamira Ranch engages the surroundings and creates a natural home for generations to come.

PROJECT NARRATIVE: Altamira Ranch represents the manifestation of the dreams and visions for generations of one California family. Occupying 20-acres along the rugged coastline of the Palos Verdes Peninsula, the undeveloped site held memories of childhood camping trips, family picnics, and dramatic sunsets over the ocean. To maintain this sense of place, the clients wanted to maintain the “untouched” feel of the land as much as possible in the design of their 15,500 square foot family complex by connecting it to the surrounding landscape both physically and visually.

Not wanting to disturb the land more than necessary, the four separate buildings--main house, study, guesthouse, and garage--were cut into the terrain, thus reducing the need for site grading. As a result, the subterranean garage and partially buried main house seem to emerge from the ground as the land slopes toward the ocean. Not only did submerging the buildings reduce the amount of site work required, it also preserved the ocean view for the surrounding neighborhood.

Using site features and convergence lines, the designers created a datum line to establish the location of the architectural and site walls. Carefully located plant massings run along these lines to frame views of Inspiration Point and Catalina Island and to create distinct destinations within the landscape. Based on this datum line as, curving pathways of decomposed granite gravel connect the house with the vegetable garden, olive orchard, camping platform, beach volleyball area, and various lookout points. Before construction, the client and landscape designer walked the pathways, making adjustments along the way to ensure that all had good views and comfortably traversed the terrain.

The selection of building and landscape materials that repeat the colors and textures indigenous to the area reinforce the connection to the site beyond the physical locations of the structures and outdoor areas. Local shale was used to clad the concrete building site walls, while the landscape boulders were harvested from a nearby quarry. The over 30,000 plants were contract-grown from native California seed.

The planting design in particular connects the built environment not only to the surrounding lands, but to the ocean as well. With similar visual rhythms and a subtle blue-green color palette, the drifting masses of native shrubs evoke the ocean waves surrounding the site. Like waves lapping at the shoreline, the plants become shorter and are interrupted by large areas of sand as they approach the house. At the guesthouse, the most inland of the structures, succulents that resemble sea urchins, starfish, and corals are used to evoke the feeling of entering a tidal pool or estuary. The strong collaborative relationship between client, architect, and landscape designer resulted in a design that honors the sense of place and unique characteristics of the surrounding environment.

PROJECT RESOURCES

Managing Principal:
Leo Marmol, FAIA

Design Principal:
Ron Radziner, FAIA

Project Manager:
Nicole Starr

Project Architect:
Brian DeYoung, Brad Williams

Project Team:
Nicole Cannon, Daniel Monti, Brendan O’Grady, Laura Parisi, Sonya Reed, Bobby Rees, Huay Wee, Susanna Woo

Interior Design:
Marmol Radziner

USA
26/02/2015

USA

Tall and Skinny in Gramercy: Slender skyscraper by KPF coming to Manhattan's 22nd Street
22/05/2014

Tall and Skinny in Gramercy: Slender skyscraper by KPF coming to Manhattan's 22nd Street

Aatrial House by KWK Promes arch. R. Konieczny
17/08/2013

Aatrial House by KWK Promes arch. R. Konieczny

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