The Copper Beech Kitchen Co Ltd

The Copper Beech Kitchen Co Ltd Beautiful kitchens by design
Refinished
Refaced
Replaced

This is how I like to approach a kitchen.Finished coatings and design are where it all started for me. Colour, texture, ...
06/04/2026

This is how I like to approach a kitchen.
Finished coatings and design are where it all started for me. Colour, texture, sheen, proportion, how one thing sits beside another. Those details still matter to me.
Whether we're adding twenty-foot beams to open up a space, changing flooring, drywall, lighting and electrical, or simply giving good cabinets a new life with a proper reface, I still see it the same way.
It's all art to me.
Some jobs are big. Some are simple. But every kitchen has its own problems to solve, its own feel, and its own possibilities.
I've doing this work for a long time, and I still enjoy figuring out what a room could become, then working through the details and getting it done properly.

A really pretty morning coffee nook for this kitchen.
05/27/2026

A really pretty morning coffee nook for this kitchen.

This is the team putting in a Beam to create an open concept kitchen. Have you ever thought about taking out a wall to g...
05/26/2026

This is the team putting in a Beam to create an open concept kitchen. Have you ever thought about taking out a wall to get more space in your kitchen?

Some projects on the go, some older ones and a couple oil paintings.  :)
03/10/2026

Some projects on the go, some older ones and a couple oil paintings. :)

Copper Beech’s Proprietary Finishing SystemWhen I refinish or build a piece, I don’t think in terms of “paint.” I think ...
11/23/2025

Copper Beech’s Proprietary Finishing System

When I refinish or build a piece, I don’t think in terms of “paint.” I think in terms of layers, chemistry, and the equipment that lays the film down. The finish I use isn’t one product. It’s a system. The layer on the bottom is doing one job, the layer on top is doing another, and the equipment I spray with is tuned to get the most out of the chemistry.

Most people don’t understand how much the machine matters. I spray all my finish work through a Titan Capspray 115 with the Maxum Elite gun, which is one of the highest-end turbine systems on the market. I run it at the upper end of its turbine pressure and I use it specifically because it atomizes these coatings better than anything else I’ve tried. That machine lets the coating level out the way the resin was designed to. Without the right atomization, the chemistry doesn’t reach its potential.

1. The Base Layer: Ultra-Refined Shellac Sealer

My base layer is a specialty shellac technology. It grabs MDF in a way nothing else does. It locks down the fibers instantly and doesn’t raise the surface. It sands almost like chalk, which lets me create a dead-flat substrate with almost no effort.

Shellac does two things at once:
• mechanical adhesion through the scratch pattern
• chemical adhesion through its natural resin structure

That combination gives me a foundation the topcoat can fuse into.

2. The Topcoat: Urethane-Modified Hybrid Resin With Micro-Crosslinking

My topcoat is a hybrid resin — not a regular acrylic. It’s a urethane-modified, water-reducible alkyd system. When it cures, the resin chains knit together and form what’s called micro crosslinking. If you’ve ever wondered why some finishes feel soft and others feel tight and smooth, that’s the reason.

This crosslinking is what gives my work:
• better chemical resistance
• a harder, more durable film
• smoothness that feels like oil without behaving like oil
• and a finish that doesn’t get brittle or chip when doors bump together

This is the part most people overlook. It’s the resin backbone — not the brand name — that makes high-end furniture finishes feel like high-end furniture finishes.

3. Why My Finish Looks So Smooth: Ultra-Fine Pigment Grind

Here’s the part I love explaining, because hardly anyone knows this. Paint isn’t just resin. It’s pigment suspended in that resin. If the pigment particles are big, the film will always feel slightly gritty, even if you spray it beautifully. When you sand between coats with big pigment, it scratches rough.

The system I spray uses a controlled, ultra-fine pigment grind. Smaller particles mean:
• better hiding in thin coats
• smoother leveling under the gun
• cleaner sanding between coats
• and a uniform, soft “furniture feel” when the film is cured

This is also where the Capspray 115 shines. When you atomize a fine-grind coating through a high-end turbine system, the film lays down almost perfectly flat.

4. Why My Equipment Matters

A lot of people spray with airless units designed for walls. Or small homeowner HVLP rigs. Nothing wrong with that, but they’re not tuned for the chemistry in cabinet-grade coatings.

The Capspray 115 with the Maxum Elite gun does a few things exceptionally well:

• Atomizes thick hybrid urethanes into an extremely fine mist
• Lays the coating down with minimal orange peel
• Gives you a smoother, denser film because the droplets are smaller
• Allows the resin to level the way the chemists intended
• Lets me spray low-sheen finishes without striping or texture

This is why my finished pieces always have that soft, velvety look instead of the plastic feel you get from low-end sprayers.

5. The Real Reason the System Works

Everything I do is built around one idea:

Each layer should do one job extremely well.

My sealer is built for sealing.
My topcoat is built for durability and feel.
My equipment is built for laying it down flawlessly.

When you combine the right chemistry with the right machine and the right workflow, you get a finish that doesn’t just look good — it performs.

And that’s the part clients can feel when they open a door or run their hand across a panel.

The Warmth of Character in Beachwood HomesThere’s something about the homes in Beachwood, Waterloo. The way they hold ti...
11/09/2025

The Warmth of Character in Beachwood Homes

There’s something about the homes in Beachwood, Waterloo. The way they hold time. They’re often a bit compartmentalized, built before open concepts took over, but that’s part of what makes them so special. They have a quiet confidence, full of warmth, detail, and character.

In this dining room, I wanted to celebrate that sense of timelessness rather than fight it. We leaned into the mood of the home in this design, the depth of its woodwork, the soft natural light, and that gentle sense of enclosure that invites conversation.

The ceiling is key. Painting it in a warm, muted tone helps lower the visual height just enough to make the room feel grounded and intimate, while the brass chandelier draws the eye back up with a subtle glow. I don’t usually reach for draperies, but here they are essential. Their softness brought balance to all the strong lines in the windows, beams, and furniture.

The geometric rug pattern gives the space the structure and weight it needed, a sense of rhythm. It still allows the traditional elements to breathe. We keep the palette simple and earthy: olive walls, warm wood, and just enough texture to make everything feel handcrafted and real.

It’s a room that should feel calm, lived in, and honest. A modern interpretation of classic comfort.

I know, but sometimes my kitchen work bleeds into other rooms :)

My love of black cabinetry is deep.  Designed for Essex Project
11/09/2025

My love of black cabinetry is deep.
Designed for Essex Project

Designed for Trufflewood Home
11/09/2025

Designed for Trufflewood Home

Address

1524 Queen Street
New Dundee, ON
N0B2E0

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 10am - 12pm

Telephone

+12268682020

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