kerelldmet

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Nothing beats seeing insane projects in person, especially during construction. Happy to witness the rise of the Shenzhe...
09/05/2026

Nothing beats seeing insane projects in person, especially during construction.

Happy to witness the rise of the Shenzhen Institute of Financial Technology alongside colleagues and the incredible project team.

The tower’s geometry is truly surreal—featuring massive, strategic cutouts designed to optimize daylight for the surrounding neighborhood, with slick high tech isocurves warping around the facade.

It’s a high-tech landmark that perfectly reinforces Shenzhen’s status as a global hyper-digital capital.

Shout out to the design team for the incredible work! 👏
Can’t wait to see the final reveal next year.

ConstructionSite

I Thought the Ruins Were Silent, 2026I Thought the Ruins Were Silent is a spatial intervention into post-war sites acros...
22/02/2026

I Thought the Ruins Were Silent, 2026

I Thought the Ruins Were Silent is a spatial intervention into post-war sites across Ukraine. It salvages damaged concrete panels - stripped of their structural integrity and destined for scrap - and repurposes them as site-specific public furniture.

Rather than silencing the past by sweeping away the debris, the project allows the ruins to speak up at the street scale, telling the story of the place exactly where the history happened.

Flipping a vertical piece of a Soviet facade into a horizontal plane carries a profound political meaning. It is a deliberate decontextualization and a departure from the weight of the old regime. Yet, it keeps that page of history intact, refusing to erase the scars and instead transforming a structural wound into a defining civic feature.

Stage 1. Concept.
Following Ruination Decoded narrative.
media

Eyewear conceptor sunglasses no one asked for
30/12/2025

Eyewear concept
or sunglasses no one asked for

Eyewear concept or sunglasses no one asked for
28/12/2025

Eyewear concept
or sunglasses no one asked for

Vertebral: fabrication test PLA Black Matte, PETG Translucent Total filament: 450g Total printing time: 24hFull project ...
19/10/2025

Vertebral: fabrication test

PLA Black Matte, PETG Translucent
Total filament: 450g
Total printing time: 24h

Full project with description on my Behance page,
link in bio✨

… in the aftermath of collapse, the repetitive typology dissolves its own logic, transforming into a dynamic assemblage ...
04/10/2025

… in the aftermath of collapse, the repetitive typology dissolves its own logic, transforming into a dynamic assemblage of possibilities. Within this post-structural field, the erosion of order generates new spatial conditions, scales, and textures — an architecture of emergence born from its own undoing.

—..instead of concealing trauma behind pristine facades or isolating it in the form of monuments and museums, Ruination Decoded proposes that the scars of conflict be understood as a resource for design. Destruction becomes not merely an absence to be filled but a condition to be decoded, reinterpreted, and carried forward into new architectural forms. The city itself becomes an archive—an evolving palimpsest in which past violence coexists with the construction of future life.

At the heart of the project lies a paradox that emerges from the materiality of war. When destruction strikes the massive, repetitive blocks of Soviet housing—the quintessential symbols of standardization and anonymity—it unexpectedly transforms them. Once criticized for their monotony and lack of identity, these structures acquire an “unplanned irregularity” through their fragmentation. Their bombed facades and ruptured silhouettes resolve the very problems for which they were condemned: the standardized suddenly becomes site-specific, the mass-produced turns bespoke. In ruin, these blocks begin to carry the marks of singularity, authenticity, and place. Catastrophe, paradoxically, breathes architectural value into what was previously seen as disposable.

See the whole project on my Behance page.

…and given the freedom of destruction, the rigidity of modernist grid will inevitably fall, giving space to the new urba...
20/09/2025

…and given the freedom of destruction, the rigidity of modernist grid will inevitably fall, giving space to the new urban opportunities to emerge.

—..instead of concealing trauma behind pristine facades or isolating it in the form of monuments and museums, Ruination Decoded proposes that the scars of conflict be understood as a resource for design. Destruction becomes not merely an absence to be filled but a condition to be decoded, reinterpreted, and carried forward into new architectural forms. The city itself becomes an archive—an evolving palimpsest in which past violence coexists with the construction of future life.

At the heart of the project lies a paradox that emerges from the materiality of war. When destruction strikes the massive, repetitive blocks of Soviet housing—the quintessential symbols of standardization and anonymity—it unexpectedly transforms them. Once criticized for their monotony and lack of identity, these structures acquire an “unplanned irregularity” through their fragmentation. Their bombed facades and ruptured silhouettes resolve the very problems for which they were condemned: the standardized suddenly becomes site-specific, the mass-produced turns bespoke. In ruin, these blocks begin to carry the marks of singularity, authenticity, and place. Catastrophe, paradoxically, breathes architectural value into what was previously seen as disposable.

See the whole project on my Beahnce page,
Link in bio🙌🏼

Tracing back to ideas from my thesis, I wanted to revisit the original drawings, which were done back then in a conceptu...
14/09/2025

Tracing back to ideas from my thesis, I wanted to revisit the original drawings, which were done back then in a conceptually meaningful yet technically simple way, using traditional workflwos.

With the help of AI, and using the original collages as visual drivers, the drawings were reimagined into surreal urban scenes—introducing a sense of fantasy through kintsugi-like golden seams within the otherwise realistic setting of derelict Soviet blocks.
—..instead of concealing trauma behind pristine facades or isolating it in the form of monuments and museums, Ruination Decoded proposes that the scars of conflict be understood as a resource for design. Destruction becomes not merely an absence to be filled but a condition to be decoded, reinterpreted, and carried forward into new architectural forms. The city itself becomes an archive—an evolving palimpsest in which past violence coexists with the construction of future life.

At the heart of the project lies a paradox that emerges from the materiality of war. When destruction strikes the massive, repetitive blocks of Soviet housing—the quintessential symbols of standardization and anonymity—it unexpectedly transforms them. Once criticized for their monotony and lack of identity, these structures acquire an “unplanned irregularity” through their fragmentation. Their bombed facades and ruptured silhouettes resolve the very problems for which they were condemned: the standardized suddenly becomes site-specific, the mass-produced turns bespoke. In ruin, these blocks begin to carry the marks of singularity, authenticity, and place. Catastrophe, paradoxically, breathes architectural value into what was previously seen as disposable.

See the whole project on my Beahnce page. Link in bio

ctrl s this crazy summer
31/08/2025

ctrl s this crazy summer

The Temple of Water and (Self) Reflection Have you ever considered the sheer uniqueness of every wave and movement in wa...
10/08/2025

The Temple of Water and (Self) Reflection

Have you ever considered the sheer uniqueness of every wave and movement in water—how no pattern ever repeats itself? Yet, in the rush of modern life, especially in a city like London, such everyday marvels often go unnoticed.
The Temple of Water and (Self) Reflection is an installation that reintroduces and amplifies this natural spectacle, breaking the “casual reality” - urging visitors to pause, observe, and immerse themselves in the infinite variations of water’s movement expressed by light, shadows and sound.

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