Pierre Jorge Gonzalez Judith Haase AAS

Pierre Jorge Gonzalez Judith Haase AAS Architecture Founded in 1999, Pierre Jorge Gonzalez and Judith Haase opened their architectural firm in Berlin and Paris.

The principal practices are architecture, scenography and lighting. In New York working with Richard Gluckman and Robert Wilson for his Watermill Center provided first occasions to consider ways of presenting art through architecture. The interaction of lighting and architecture remains a primary focus for the conception of spatial contexts for art and art-related activities. The atelier has a wel

l noted reputation for its involvement with contemporary artists, curators, or collectors to create the appropriate space to feature an artwork, a luxury product or a body for a performance. Examples include the well known Gallery Nordenhake in Berlin which has become a new model for gallery design, or the Andreas Murkudis Stores.

Cloud prototype no. 6by Iñigo Manglano-Ovalle2011, Zurich airportInstallation /AAS for Gallery Thomas Schulte .set.p...
02/05/2026

Cloud prototype no. 6
by Iñigo Manglano-Ovalle
2011, Zurich airport
Installation /AAS
for Gallery Thomas Schulte

.set.project .object.project

Soft Reflections/AAS and invited designersat Maj van der Linden gallerySome objectsMaj van der Linden invites you to the...
01/05/2026

Soft Reflections
/AAS and invited designers
at Maj van der Linden gallery

Some objects

Maj van der Linden invites you to the opening weekend of Soft Reflections during Gallery Weekend Berlin 2026.

with
AAS Gonzalez Haase
Analog Glass
Anoe Melliou
Dahm Lee .lee
Hap Ceramics
Jakub Kubica
Marten Herma Anderson .ndrsn
Sanghyeok Lee

photographs

opening gallery weekend
Friday 1 and Saturday 2 May
on view until 22 August
gallery opening times
Fridays and Saturdays 2-6 pm and by appointment

Maj van der Linden
Veteranenstraße 15, 10119 Berlin

.object.project .set.project

Bauhaus Dessau 100 yearsGlas Beton Metall/AASExhibition design, lighting, graphic design of the metal part.Curators Tors...
29/04/2026

Bauhaus Dessau 100 years
Glas Beton Metall
/AAS

Exhibition design, lighting, graphic design of the metal part.

Curators Torsten Blume, Dr Andreas Butter,

exhibition Glas Beton Metall
28 March 2026 to 10 January 2027
Walter Gropius Bauhaus building
Gropiusallee 38
06846 Dessau-Roßlau, Germany

Exhibition design for the 100th anniversary of the Bauhaus in Dessau. At its core is a structural “beam” — a thin metal grid that rearticulates Bauhaus principles, merging material and function.
Made of welded metal wires, the structure is both strong and nearly immaterial. It acts as the exhibition’s backbone, transforming through bending and modular assembly into displays, partitions, and supports for works from the Stiftung Bauhaus Dessau.
Stacked into central islands, the modules create scenographic moments that guide visitors. Vertically, the grid filters daylight and carries texts and images, while recycled acrylic elements protect the objects. Hands-on areas invite interaction. Light ultimately defines the exhibition, unifying the space and echoing the Bauhaus emphasis on natural illumination, subtly modulated by the metal grid.

AAS team PM Emma Verdier with Michal Igla, Mathilde Serre, Marlène Schwarz

photograph Yvonne Tenschert

.set.project .object.peoject

Bauhaus Dessau 100 yearsGlas Beton Metall/AASExhibition design, lighting, graphic design of the metal part.Curators Tors...
29/04/2026

Bauhaus Dessau 100 years
Glas Beton Metall
/AAS

Exhibition design, lighting, graphic design of the metal part.

Curators Torsten Blume, Dr Andreas Butter,

exhibition Glas Beton Metall
28 March 2026 to 10 January 2027
Walter Gropius Bauhaus building
Gropiusallee 38
06846 Dessau-Roßlau, Germany

Exhibition design for the 100th anniversary of the Bauhaus in Dessau. At its core is a structural “beam” — a thin metal grid that rearticulates Bauhaus principles, merging material and function.
Made of welded metal wires, the structure is both strong and nearly immaterial. It acts as the exhibition’s backbone, transforming through bending and modular assembly into displays, partitions, and supports for works from the Stiftung Bauhaus Dessau.
Stacked into central islands, the modules create scenographic moments that guide visitors. Vertically, the grid filters daylight and carries texts and images, while recycled acrylic elements protect the objects. Hands-on areas invite interaction. Light ultimately defines the exhibition, unifying the space and echoing the Bauhaus emphasis on natural illumination, subtly modulated by the metal grid.

AAS team PM Emma Verdier with Michal Igla, Mathilde Serre, Marlène Schwarz

photograph

.set.project .object.peoject

Bauhaus Dessau 100 yearsGlas Beton Metall/AASExhibition design, lighting, graphic design of the metal part.Curators Tors...
29/04/2026

Bauhaus Dessau 100 years
Glas Beton Metall
/AAS

Exhibition design, lighting, graphic design of the metal part.

Curators Torsten Blume, Dr Andreas Butter,

exhibition Glas Beton Metall
28 March 2026 to 10 January 2027
Walter Gropius Bauhaus building
Gropiusallee 38
06846 Dessau-Roßlau, Germany

Exhibition design for the 100th anniversary of the Bauhaus in Dessau. At its core is a structural “beam” — a thin metal grid that rearticulates Bauhaus principles, merging material and function.
Made of welded metal wires, the structure is both strong and nearly immaterial. It acts as the exhibition’s backbone, transforming through bending and modular assembly into displays, partitions, and supports for works from the Stiftung Bauhaus Dessau.
Stacked into central islands, the modules create scenographic moments that guide visitors. Vertically, the grid filters daylight and carries texts and images, while recycled acrylic elements protect the objects. Hands-on areas invite interaction. Light ultimately defines the exhibition, unifying the space and echoing the Bauhaus emphasis on natural illumination, subtly modulated by the metal grid.

AAS team PM Emma Verdier with Michal Igla, Mathilde Serre, Marlène Schwarz

photograph

.set.project .object.peoject

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