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Archiscene, Vilamacolum (2026)

02/02/2026

In Vilamacolum, a small village in Catalonia's Alt Empordà region, architect Clara Crous has completed Casa al Pradet, a family home that merges self-construction with contemporary design and deep respect for rural tradition. Built on the last available plot along one of the village streets, the house occupies a triangular site where agricultural fields meet domestic life, its staggered volumes echoing the vernacular outbuildings traditionally added to Catalan masias as families grew over generations.

Construction began at the end of the corn harvest, when local labor became available, a deliberate alignment with the agricultural rhythms that have shaped this landscape for centuries. The light timber frame was prefabricated in the workshop, while local materials anchor the project in its context: cork, lime mortar, adobe, hydraulic tiles, handmade ceramics, and three-layer spruce wood that shapes both structure and furniture throughout. Elevated 1.2 meters above grade to manage rainwater flow and shield against the tramontana wind, the house balances inherited building knowledge with contemporary solutions, including motorized Barcelona-style shutters controlled by a smart system that responds to sun and wind conditions.

Photography by Montse Capdevila. More: https://www.archiscene.net/interior-design/casa-al-pradet-clara-crous-arquitectura/

30/01/2026

Rapid urbanisation, rising middle-class per capita income, and growing residential and non-residential activities in emerging nations such

24/01/2026

For Paris Men's Fashion Week 2026, KENZO returned home. Creative director Nigo welcomed guests to the former residence of Kenzo Takada, transforming the designer's private sanctuary into the stage for his Fall-Winter 2026 collection.

Hidden in Paris's Bastille district, the 1,600 square meter residence stands as one of the city's most remarkable private homes. Designed by Kenzo Takada and his partner, architect Xavier de Castella, the four-level cedar-clad structure took nearly seven years to complete, with all materials imported directly from Japan. The first stage finished in 1989; following de Castella's death in 1990, Takada oversaw completion in 1993 and lived there until 2009.

Imagined as an "oasis house," the residence brought together French and Japanese aesthetics in ways that still feel radical decades later. Modelled in part on his father's teahouse in Himeji, the home included a traditional space for tea ceremonies, tatami floor mats, and shoji sliding doors. The Japanese garden features bamboo, junipers, maple and cherry trees surrounding a rocky koi carp pond. "You could be in Kyoto," Takada once said.

The property is currently owned by Isabelle and Olivier Chouvet, founders of The Independents. Architect Kengo Kuma refreshed the residence in 2018-2019, partnering with Loïk Corre of Atelier Kiol, who had worked closely with Takada on the original house.

More: https://www.archiscene.net/interior-design/kenzo-takadas-paris-residence/

18/01/2026

**Instagram Caption for Vanessa Kassabian Interview**

Henning Larsen welcomes Vanessa Kassabian as Design Director of its New York studio, a pivotal appointment that reinforces the internationally acclaimed practice's commitment to design excellence across the Americas. With more than two decades of architectural leadership behind her, Kassabian brings a portfolio that spans some of the most culturally significant projects of our time—including the National September 11 Memorial Museum Pavilion, the Calgary New Central Library, and the SFMOMA Expansion.

In her exclusive conversation with ARCHISCENE, Kassabian opens up about the delicate balance of translating Scandinavian design principles within New York's dense, vertical, and multicultural landscape. She speaks to the importance of human-centric architecture—spaces filled with natural light, openness, and genuine community connection—while acknowledging that the scale and energy of New York demand a thoughtful dialogue between Danish values and American urban realities.

What strikes most about this interview is Kassabian's emphasis on empathy in architecture. Her formative experience working on the 9/11 Memorial taught her that an architect's role extends far beyond building design. It requires facilitating dialogue, honoring collective memory, and creating spaces for personal reflection and community healing. That sensitivity now informs everything she does.

Sustainability runs through her practice like a through-line. With buildings accounting for over 65 percent of New York City's carbon emissions, Kassabian sees energy efficiency, retrofitting, and decarbonization as non-negotiable priorities. Projects like KlimaKover and Farm to Home allow her team to prototype resilient solutions right here in New York—from timber design to ecosystem integration—testing ideas that could scale across the city and beyond.

Equally compelling is her dedication to mentorship and collaboration. As a studio instructor at Parsons The New School and guest critic at Cornell, Pratt, and the University of Pennsylvania, Kassabian has shaped emerging talent for years. She believes leadership should remain accessible, that younger designers bring fresh perspectives especially around new technologies, and that when people feel supported, creative communities thrive.

Her vision for Henning Larsen's New York studio centers on strengthening visibility across North America while expanding focus on cultural and adaptive reuse projects. Working alongside Americas Director Eric Ball and Design Director Daniel Baumann, she aims to nurture a studio culture where diverse perspectives converge and architecture becomes a genuine tool for societal and environmental change.

Head to the link in bio to read the full interview and discover how Kassabian plans to shape the future of urban life in one of the world's most dynamic cities.

Read an interview with our EIC Zarko Davinic now at Archiscene : https://www.archiscene.net/firms/henning-larsen-architects/vanessa-kassabian-henning-larsen/

05/01/2026

An island of comfort dressed in full bloom. The Me-Time sofa by for captures the flower sofa trend at its most sophisticated, transforming any living space into a contemporary garden of sculptural luxury.

Born from the fusion of Italian and Spanish design sensibilities, Me-Time emerges through careful research that weaves together emotion, memory, and the art of controlled deformation. Its generous, flowing lines recall familiar archetypes reinterpreted for today, a silhouette seemingly shaped by the passage of time rather than industrial precision. Armrests settle naturally into seats, surfaces ripple like petals mid-bloom, and volumes melt like fabric draped over structure.

The chaise longue configuration embodies this poetics most vividly, with cushions extending beyond their formal limits, evoking what the designers describe as "a cake rising beyond its mould." When upholstered in Moroso's sumptuous floral bouclé, scattered with blooms in deep reds, soft blues, and warm yellows against cream, the piece transcends furniture to become something closer to a living meadow frozen in your living room.

García Cumini's Slow Design philosophy ensures Me-Time maintains its balance between soul and function, art and technology, intuition and material. An emotional island made to be inhabited slowly, where comfort takes the lead and fabric becomes invitation.

More : https://www.archiscene.net/furniture/me-time-garcia-cumini-moroso-perfect-flower-sofa/

05/01/2026

Wuhan Senbo Resort takes its cues from geography rather than trend reports. WJD Design looked at the city's 166 lakes and its old legend of "Meeting a Bosom Friend by High Mountains and Flowing Water" and extracted three elements: mountains, water, lotus. These became the structural logic for 46,000 square meters of interior space.

The lobby ceiling presented the hardest problem. Double-curved surfaces that mimic mountain ridges do not cooperate with load-bearing columns or fire codes. The team ran BIM simulations repeatedly, then fabricated custom GRG panels that could hold the organic shape without visible seams. The result reads as one continuous undulating surface. The engineering stays invisible.

Material selections lean toward texture over statement. Bamboo weave nods to regional craft traditions. PETG ice pearl panels shift with daylight. An intelligent dimming system tracks the sun's movement and adjusts interior lighting to mimic how light passes through lotus leaves, changing the atmosphere hourly rather than locking it into one static mood.

Floor patterns guide movement through subtle material transitions rather than literal wave graphics. Guest rooms pull back further, using soft surfaces derived from natural textures without announcing their references. The intent was restraint: spaces functional for families with children and quiet enough for adults seeking calm.

The project ran from January 2023 to completion in May 2025. Chief designers Chen Yonghua, Shen Maohui, Yu Yu, Chen Ying, and Xu Yiyang led the work for WJD Design alongside Wuhan Times Urban Architecture Design Co., Ltd. Photography by Hanmo Vision.

More : https://www.archiscene.net/hotels/wuhan-senbo-resort-where-nature-meets-contemporary-design/

04/01/2026

In Montreal's Mile-Ex district, a century-old ammunition factory has found new purpose. FOIL Gallery, designed by award-winning Atelier L'Abri, transforms two vacant suites within a 1910s industrial building into a hybrid destination where contemporary art meets neighbourhood café culture.

Founded by digital artists Fvckrender and Baeige, FOIL (Finer Objects in Life) occupies a space rich with history. Originally operated by Canadian Explosives Limited during the First World War, the factory later witnessed the vital contributions of working-class women during the Second World War. For years, the building faced demolition threats before its recent revitalization.

Atelier L'Abri's intervention reveals rather than conceals. The team carefully sandblasted wood plank ceilings, massive timber trusses, and concrete beams to recover their natural tones and century-old textures. New skylights cut into the spectacular sawtooth roof flood the interior with natural light, reactivating spatial potential long obscured.

At the core, a hand-brushed metal cube organizes public and private functions without interrupting the legibility of the existing structure. White-painted acoustic walls provide flexible exhibition surfaces, creating sharp contrast against preserved industrial textures. The luminous café opens onto Parc des Gorilles through a large glass garage door, featuring a curved microcement counter and custom furniture by Montreal designer Raymond Raymond.

The sensory experience extends beyond the visual: a soundscape by Olivier Lamontagne, custom fragrance by D.S. & Durga, locally roasted coffee by ZAB Café, and a restored 1970 Porsche Targa positioned as sculptural centerpiece. FOIL redefines what a gallery can be, positioning itself as a creative laboratory at the intersection of heritage, community, and artistic exploration.

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03/01/2026

Stepping inside this Paris townhouse by , the city’s energy gives way to a profound sense of calm. Hidden behind a discreet gate and accessed through a lush courtyard, the residence is a rare urban sanctuary in the 11th arrondissement. Every detail reflects Holzrausch Studio’s philosophy of simplicity and timelessness, from the warm oak panels and plaster finishes to the stainless steel kitchen and stone accents. The sculptural staircase, bathed in natural light from above, anchors the home and draws daylight through every level, creating a seamless connection between spaces. Built-in furniture and recessed lighting enhance the minimalist aesthetic, while appliances vanish behind wooden doors to maintain visual clarity. The design intentionally avoids decorative trends, focusing instead on material quality and tranquility, a vision shaped in close dialogue with the client, a former model and gallery owner. International craftsmanship is woven throughout, with Italian plasterwork and Danish oak floors contributing to the project’s refined palette. In warmer months, the garden becomes an extension of the living space, blurring boundaries between indoors and outdoors.

Discover more : archiscene.net/residential/house-paris-holzrausch-studio/

02/01/2026

CASA [EN] TORNO AL ÁRBOL in Rafaela, Argentina, redefines the relationship between architecture and landscape by placing a mature acacia tree at the heart of the home. Designed by otro estudio, the residence is shaped around the tree’s fragrant canopy, creating a living environment that changes with the seasons and immerses inhabitants in a sensory experience of sun, air, water, and the subtle sounds of nature. The spatial sequence unfolds through social and private areas, each oriented to maximize views of the surrounding vegetation and patios. Material choices, reinforced concrete, exposed brick, and metal, reflect regional traditions and emphasize durability and honesty. Patios and a reflecting pool extend the interiors outward, fostering a continuous dialogue between built space and nature. Every detail, from landscaping to lighting, is designed to harmonize with the organic order of the site, making daily life an encounter with the rhythms of the natural world.

All photos ©Ramiro Sosa

More ARCHISCENE: archiscene.net/residential/house-by-otro-estudio/

27/12/2025

H&M’s Seongsu flagship in Seoul redefines retail as a cultural stage - where fashion, art, and local spirit converge across three immersive floors. Designed by architecture practice SKYNoa, the store’s translucent curtain façade draws inspiration from Seongsu’s industrial heritage and iconic billboards, inviting visitors to step into a world where every level is a new act in personal style. Inside, sculptural installations, modular closets, and a striking H&M-red staircase create a journey of discovery, creativity, and self-expression. This isn’t just a store—it’s a hybrid space for community, collaboration, and content, reflecting Seoul’s dynamic energy while amplifying H&M’s global vision.

More on ARCHISCENE: https://www.archiscene.net/cities/seoul/hm-seongsu-skynoas-transformative-stage/

26/12/2025

A serene transformation in Cascais by redefines apartment living with a focus on light, simplicity, and refined comfort. Every detail of this renovation was conceived to create a tranquil atmosphere - natural wood, soft textures, and gentle tones work in harmony to evoke a sense of calm and sophistication. The reimagined layout ensures a seamless flow between spaces, making each room feel open and interconnected while maximizing natural light throughout the interior. Subtle maritime influences pay tribute to Cascais’ coastal spirit, visible in the understated palette and the gentle rhythm of materials that echo the nearby sea. The result is a home that feels both contemporary and timeless, offering a peaceful retreat where daily life is elevated by thoughtful design. Captured beautifully by .

More : https://www.archiscene.net/residential/apartment-renovation-cascais-vasco-lima-mayer/

25/12/2025

The new Welcome Pavilion at Saint Joseph’s Oratory by Lemay is a luminous, contemporary gateway redefining one of Montreal’s most cherished landmarks. This four-storey addition seamlessly connects the Oratory to Mount Royal’s landscape, inviting over two million annual visitors into a transformative journey of exploration and reflection. At the heart of the design stands a striking bell tower, housing a 62-bell carillon whose resonant chimes guide each step, blending sound, light, and materiality in a multi-sensory experience. Gabion walls built from stone excavated on site, terraced rooftops, and panoramic views create a dialogue between the built and natural environments, reinforcing the Oratory’s foundation while illuminating new perspectives of the dome and city beyond. The pavilion’s LEED Silver certification reflects its commitment to sustainability, with green spaces replacing paved surfaces, advanced insulation, and energy-efficient systems supporting both comfort and ecological responsibility. Inside, curated spaces—cafeteria, public squares, sacred gardens—invite quiet contemplation, social connection, and wonder, while skylights and illuminated ceilings guide movement and reveal fragments of the surrounding context. Lemay’s design honors the Oratory’s heritage and adapts it for contemporary needs, welcoming all who seek inspiration, reflection, and discovery.

More : https://www.archiscene.net/location/canada/welcome-pavilion-saint-josephs-oratory-lemay/

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