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STUDIOS PMB We are an Architectural Design Studio with international experience. Our design strategies engage al We are a design studio with international experience.

Our design are unique, tailored to the clients individual needs. We create solutions that are local yet global. Our design strategies ensure that we engage all the elements maximizing LIGHT & AIR in all our spaces. We have completed over 200 projects over the years.

Cadence — Performing Arts Center | 95,000 sq. ft.Cadence was conceived as a single cultural building for four programs :...
16/09/2026

Cadence — Performing Arts Center | 95,000 sq. ft.

Cadence was conceived as a single cultural building for four programs : a grand theatre, black box theatre, art gallery, and indoor and outdoor dining.

The plan is organised around one long internal street, expanding at its centre into a full-height atrium. In the absence of an external plaza, this becomes the building’s principal gathering space — the place of arrival and encounter before and after a performance. From here, the different programs remain visually connected, allowing the building to read as one shared cultural experience rather than a collection of separate venues.

The grand theatre works with a different kind of constraint. A fixed seating capacity had to accommodate multiple modes of performance while preserving a sense of proximity to the stage. Two balconies therefore wrap tightly around the room, bringing the audience inward rather than extending the auditorium deeper.

Its architecture reinforces that intimacy. Continuous timber-lined surfaces fold across walls, soffits and balcony fronts, softening the volume while integrating the acoustic character of the room into its expression. The geometry remains fluid and enveloping, with concealed lighting tracing the major curves and emphasising the theatre as a single, continuous interior rather than a collection of architectural elements.

Elsewhere, the building is deliberately more restrained. Rough-hewn, open-pore travertine gives the exterior its weight, while vertical fins filter daylight through the façade and establish a measured rhythm across its long elevations.

The restaurant opens directly from the central spine, but operates independently of the performance schedule, extending the life of the building beyond the hours of a show.

Studios PMB
Architecture + Design

Three materials, close up — read through what they do to light.Graphite micro-cement covers the floor and walls in one u...
20/08/2026

Three materials, close up — read through what they do to light.

Graphite micro-cement covers the floor and walls in one unbroken plane. It doesn’t reflect so much as diffuse — light falls on it and spreads, even, without a source. Walk through the corridor under the skylight and the floor turns silver. An hour later it’s back to grey. The material changes with the light without doing anything.

Fluted ebony runs the verticals throughout — bedroom, wardrobe, living wall, joinery. The ribbed surface sits between absorbing and casting: each rib catches a fine line of light on its edge, the shadow behind it deepening the dark further. Up close it has grain and shadow. From a distance it reads as a single, very still, very dark plane.

Bianco Carrara arrives as the single interrupt — island, plinth, bench. Cool white, fine grey veining, polished enough to throw light back into the room. Against the graphite floor and the ebony wall, it doesn’t just contrast — it cuts.

Stone reflects, wood absorbs, cement diffuses — three different relationships with the same light, all in one room.

Three materials, close up — read through what they do to light.Ivory travertine covers the floor and climbs the walls in...
24/07/2026

Three materials, close up — read through what they do to light.

Ivory travertine covers the floor and climbs the walls in large vein-cut slabs, honed rather than polished. Honed stone doesn’t reflect light so much as hold it — a soft, even glow instead of a mirror. It grounds the space and gives it a quiet weight.

Woven cane, set into aged bronze frames, carries the texture across wardrobe fascia, sliding panels and the staircase balustrade infill. This is where light stops being flat. It filters through the weave, breaks into hundreds of small shadows, and moves across the floor as the day moves — the one material here that changes by the hour.

Aged bronze runs through as the connecting material — frames, handrails, console legs, hardware. It doesn’t shine so much as absorb light into its surface, holding it in a low, warm glow rather than throwing it back.

Together, stone holds the light, cane breaks it, bronze absorbs it — three different ways of composing the same atmosphere.

The Amara Reserve sits on 3.5 acres at the edge of a lake in the Punjab countryside — 22,000 sq. ft. of built area held ...
20/07/2026

The Amara Reserve sits on 3.5 acres at the edge of a lake in the Punjab countryside — 22,000 sq. ft. of built area held low against the water.

Deep arches carry the café in shade. Lime-washed stone takes the afternoon light; black steel draws a thin, sharper line around each opening. Overhead, timber breaks the sun into the terrace in slow intervals.

The materials are the region’s own — stone, plaster, timber, shadow — assembled without ornament, so the lake does most of the work.

The restaurant faces the water directly. No framing device, no terrace theatre. You sit, and the lake is simply there, changing through the day.

The Amara Reserve
Studios PMB — Architecture + Design

BULAND CAFEA space where warmth is not just felt—it’s designed.With sculpted ceilings, earthy textures, and a palette ro...
16/07/2026

BULAND CAFE

A space where warmth is not just felt—
it’s designed.

With sculpted ceilings, earthy textures, and a palette rooted in terracotta and soft neutrals, Buland Cafe by Studios PMB creates an inviting, intimate dining experience that lingers beyond the table. Every detail—from the play of light to the tactile materials—builds a quiet, elevated atmosphere.

More than a cafe ; a mood, thoughtfully crafted.

Area: 1,531 sq. ft.
Praneet Bubber - Principal Architect, Studios PMB

The brief was simple to say and hard to build: a house that feels calm, but never cold. An open plot, generous light, an...
08/07/2026

The brief was simple to say and hard to build: a house that feels calm, but never cold. An open plot, generous light, and clients wary of the grey minimalism they’d seen everywhere — spaces that photograph well and live poorly.

That was the real constraint. Concrete gives you calm; it rarely gives you warmth. Most projects solve this with furniture and fabric. We wanted the architecture itself to answer.

So the palette was cut to three materials, each with one job. Board-formed concrete as the constant — walls and columns carrying the marks of their own making. Fluted cedar overhead and between, casting fine parallel shadows that shift through the day. And one decision that changed the house: instead of lighting the stone, we let the stone light the room. Green onyx, backlit and translucent, at the bar island and rising through the stair void.

You feel it most at dusk. The concrete recedes, the cedar goes deep amber, and the onyx becomes the quietest source of light in the house — a glow the family gathers around without being told to.

What the project taught us: warmth isn’t a material. It’s a relationship between materials. Three was enough.

Studios PMB
Architecture + Design

There’s a moment in Belmonte’s façade where the drawing and the built world agree on nothing except proportion. The elev...
02/07/2026

There’s a moment in Belmonte’s façade where the drawing and the built world agree on nothing except proportion. The elevation gave it geometry — a pediment breaking cleanly from the roofline, columns spaced by argument rather than instinct.

The render gave it weather — limestone stucco that holds evening light instead of returning it, black clay tile gone almost blue at dusk, timber doors dark enough to read as punctuation.

Nothing here is ornamental by accident. The wrought iron on the balconies was drawn before it was forged. The colonnade was measured before it was allowed to feel generous. Thirteen thousand one hundred and sixty-nine square feet, and still the house resolves at a single point — the threshold, where stone, timber, and ironwork stop being materials and start being a sentence the building has been building toward since the first line was drawn.

Studios PMB
Architecture + Design

30/06/2026

There’s a corner in this room where the design argument resolves itself. Backlit onyx meets hand-fluted bronze glass — two materials that shouldn’t agree, except they do, because the joinery between them was never meant to be seen. Every seam was worked until it disappeared; what’s left reads less like construction and more like geology, each slab carrying veining no other slab will repeat.

It’s a small detail in a larger room, but it’s the one that holds the eye — the point where the space stops being furniture and starts being atmosphere.

Project Sceptre.
Studios PMB
Architecture + Design

Address

Mehra Towers, 4th Floor, SCO/41, B Block, Ranjit Avenue
Amritsar
143001

Opening Hours

Monday 10:30am - 6:30pm
Tuesday 10:30am - 6:30pm
Wednesday 10:30am - 6:30pm
Thursday 10:30am - 6:30pm
Friday 10:30am - 6:30pm
Saturday 10:30am - 6:30pm

Telephone

919815522226

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