21/02/2026
World Karma
China be China, b.c. Clay armies underground the First Han Emperor’s improvement
on burying his armies alive
Later Ming tombs buried excavator architects
& Mao officially buried 20,000,000 in S**t Freeze & Exile, much Su***de
especially bilingual sophisticates in the molecular structure of surfaces,
machine-tool engineers
and Poetic intelligentsia questioned his Imperial vision of Pure Land
future communist afterworld
Russia had Czars & Stalin, all Yiddish Poets shot August 12, 1952 in
Lubyanka basement, everybody got drunk afterward,
everyone still whispers on streetcorners
America forever democratic, lawless sheriffs shot Indians, bad men, good
men, chinks k***s ni***rs and each other
Spain always killed bulls & loved blood, matadors & crucifixion, reds &
fascists assassinated anarchists—
The Jews always complained, kvetching about false gods, and erected the
biggest false God, Jehovah, in middle of western civilization—
For creating the Judge the Jews are judged that’s their world Karma
continuing, the Atom bomb
British always had sense of superiority, class, stiff upperlip, the Queen
and f**k you ducky up your bloody ’ole
The French, advanced sense of superiority, stiff back, Algérie is always
indissolubly a part of La France,
We will not regret the necessity to kill you or anyone who disagrees
They appreciate everything wine women song modern art
O la la they’re so smart, introduced o***m cultivation
Indochina will always be an indissoluble addiction to France, the Bourse
Germans had Kaisers Hitlers, orderly meticulous and rational a bunch of
beasts
now want Nuclear arms They’re also intelligent Pride themselves on
Science
What is the sense of this poem?
This poem is a harsh, satirical catalogue of national guilt.
It moves country by country—China, Russia, America, Spain, Jews, Britain, France, Germany—highlighting violence, hypocrisy, imperialism, persecution, and mass death associated with each. The tone is accusatory, angry, and deliberately abrasive.
The central idea behind the title “World Karma” seems to be this:
Nations, like individuals, accumulate moral consequences.
Historical violence and injustice do not disappear.
Each civilization carries its own “karma” — its unresolved past.
The poem is not balanced or diplomatic. It uses exaggeration, stereotype, profanity, and provocation as a rhetorical weapon. The poet appears to be attacking nationalism and moral superiority by exposing contradictions:
“Democratic” America yet racial violence.
“Rational” Germany yet Na**sm.
“Civilized” France yet colonial brutality.
“Spiritual” traditions yet mass death.
Religious judgment turning back upon the religious.
It reads almost like a prophetic rant — reminiscent of mid-20th-century Beat poetry in tone (angry, sweeping, historically charged, anti-establishment).
Psychologically, the poem expresses:
Disillusionment with history.
Distrust of power structures.
Rage at collective hypocrisy.
A sense that violence is cyclical and embedded in civilization itself.
It is not trying to be fair. It is trying to provoke.
