Sight Unseen

Sight Unseen An online magazine uncovering what’s new and next in design. How to Live With Objects is out 11/15!
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An online magazine uncovering what’s new and next in design and the visual arts.

MILAN DAY 6!1-3: Polish Modernism show by  x .amaga x .foundation 4-5:  x  at  6:  at  7-8:  at  9:  x  takeover of Past...
25/04/2026

MILAN DAY 6!

1-3: Polish Modernism show by x .amaga x .foundation
4-5: x at
6: at
7-8: at
9: x takeover of Pasticceria Cucchi
10: for
11-12: 's disco apartment
13-14: x 's bachelor pad installation
15: x at
16: new direction by
17-18: Retreat to afterwards to recover 🧖🏻‍♀️

MILANO DAY 5:1-3: .gomma for .space (apparently there were more of those lights at Salone Raritas, we’re obsessed)4-6:  ...
24/04/2026

MILANO DAY 5:

1-3: .gomma for .space (apparently there were more of those lights at Salone Raritas, we’re obsessed)
4-6: for .space
7-9: La Casa Magica curated by for , including furniture by and tapestry by Sonia Gorecka
10: for
11-12: for .official
13-14: for
15-16: at
17: Ceramics from the at home exhibition
18: carousel for

MILANO DAY 4:1-4: .tagliaferri studio with art curation by 5-6:  7-9:  (Favorite!!)10-12:  x 13-15:  x  x  16:  17:  x  ...
22/04/2026

MILANO DAY 4:

1-4: .tagliaferri studio with art curation by
5-6:
7-9: (Favorite!!)
10-12: x
13-15: x x
16:
17: x
18: at
19-20: x

MILANO DAY 3! What have you seen that you love?1-2:  at the sickest Borsani house no one has ever seen3:  &  at .milano4...
21/04/2026

MILANO DAY 3! What have you seen that you love?

1-2: at the sickest Borsani house no one has ever seen
3: & at .milano
4-5: at .milano
6: at .milano
7: at .milano
8: at .milano
9: at .milano
10: Villa Pestarini .milano
11: Villa Pestarini .milano
12: .studio at Villa Pestarini .milano
13:
14-16: Nilufar Depot
17: /
18: Prada Frames
19: Somehow The Last Supper is now part of Design Week? We’ll break it all down next week!

MILAN DESIGN WEEK 2026What we saw - Days 1/21-2:  3:  x  Homage to the Square4:  x  5-6: Casa Museo Boschi Di Stefano7-9...
19/04/2026

MILAN DESIGN WEEK 2026
What we saw - Days 1/2

1-2:
3: x Homage to the Square
4: x
5-6: Casa Museo Boschi Di Stefano
7-9:
10: x
11: .magazine x

Many smaller cities — like my hometown of Columbus, Ohio — have zero hotels that would be considered true “design hotels...
27/03/2026

Many smaller cities — like my hometown of Columbus, Ohio — have zero hotels that would be considered true “design hotels” (or good/sophisticated ones, anyway). Meanwhile Porto, Portugal, which isn’t even a third of the size of Columbus, somehow has two. This is thanks in part to Daniela Franceschini of Lisbon’s , who designed The Rebello back in 2023, and in part to Massimiliano Salé and Jeremiah Healy, who hired her to work her magic on their own charming property, .cedo, which opened this past November. The hotel has only 8 guest rooms — plus a bar, lounge, dining room, and reception that doubles as a flower shop — but its interiors are just as ambitious as any boutique property you’d find in Paris or New York.

The building itself is a 150-year-old single-family home that was restored by local firms Atelier in.vitro and VOF, with a new upper floor and back building added and as many salvaged tiles, beams, and other materials as possible reused in the new spaces. Inside, Franceschini employed richly painted walls, large-scale artworks, and a thoughtful choreography of vintage and contemporary furnishings, among them a 1960s Torbecchia sideboard by Giovanni Michelucci, lights by Project 213A, and a recurring series of wooden tables with ziggurat cutouts and tiled tops that were designed by Franceschini in collaboration with Porto’s . Porto may not have the same pull that Lisbon does, but in addition to the stunning Pepto-pink Serralves museum, Casa Cedo adds a compelling reason to make the detour.

From our March 26 newsletter. Subscribe in bio!!

This is perhaps the biggest difference — interiors-wise, of course — between America and an old-world country like Franc...
13/03/2026

This is perhaps the biggest difference — interiors-wise, of course — between America and an old-world country like France. In America, an interior designer is often tasked with softening or giving character to a bland, box-like space, or with fixing the mistakes of a previous owner with bad taste. In France, an interior designer can be asked to renovate a full 19th-century hunting estate, complete with the restoration of a Napoléon III-era château. , who is quickly becoming one of our favorite designers, makes this look easy in a Sologne estate near the Loire Valley.

Inspired by Jean Renoir’s 1939 film The Rules of the Game, which was set in a similar aristocratic country house, Pargger layers historical and contemporary references with cinematic precision: checkerboard floors, enamel tiles, tapestries, and classical busts mix seamlessly with chairs by and high-gloss lacquered coffee tables; materials are deliberately left unfinished or worn to create a patinated aesthetic. The one detail that takes you out of the reverie is Pargger’s repeated use of draped fabric and exaggerated curtaining. In the bathroom, rather than a traditional shower enclosure, cream-colored curtains pool elaborately on the floor (can’t speak to the utility of this choice, but it looks amazing). Elsewhere, a chair is covered in a rubbery glass-green sheet as if awaiting the return of its city-dwelling owner. A pedestal is hung with what looks like shiny leather the color of eggplant, and a latex kimono is displayed on a 19th-century Japanese stand. These are weird, idiosyncratic choices — and exactly what an interior like this needs to elevate it above the level of pastiche to something resembling art.

Despite being in LA in February once again for my (Monica) annual winter sojourn, I promised myself this year that I wou...
06/03/2026

Despite being in LA in February once again for my (Monica) annual winter sojourn, I promised myself this year that I would finally take it easy during Frieze week, not run around so much, rather than trying to digest it all. Well, dear readers, I failed at that task. I did skip for the first time, but then ran out to the west side anyway to check out the second annual (oops), a smaller show for up and coming galleries inside a 1930s Santa Monica post office. I stopped by the even newer, smaller fair .losangeles, saw the newest work at in Hollywood, and spent a lovely afternoon at , where I found my new favorite painter, Alessandro Teoldi , showing with . had a solo show with at the , .baruch.gallery filled his apartment with works by glass and craft artists, and released a fresh batch of work by emerging artists.

In the end, I felt the urge to go gallery hopping, too, but that’s where reality finally hit — I had a newsletter to write, and a hardware showroom to run. So I restrained myself, tore through Frieze’s online viewing room, and put together a big rundown of everything I loved back on our website. Hope you enjoy the results of my chronic overextension! Link in bio!

Indirizzo

Milan

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