AEPG

AEPG AEPG is a multi-award-winning architecture and interior design company.

Over the past 22 years, the design practice has been creating and implementing large-scale projects around the globe – high-end residential, commercial, hospitality, and contract.

05/06/2026

During Salone 2026, Edra opened its Milanese home at Via Durini 24: frescoed rooms, the ground-floor gallery, and the inner courtyard. It was one of those rare Milan Design Week moments where the collection unfolded away from the main exhibition current - quieter, closer, almost like a private route through a door that opens only for a few.

A historic palazzo can easily make furniture feel ceremonial. With .official , the impression was different: less about grandeur, more about presence. Deep sofas, free forms, soft volumes - pieces that invite you to come closer, to study the curve, the texture, the depth of the seat, the mood of the form itself.

This is where Milan Design Week becomes most interesting: not only in the pavilions, but in those hidden addresses where design is experienced almost privately - through architecture, access, and the atmosphere of a place that usually lives by its own rules.

29/04/2026

The best cities guide your gaze. Not because the route is convenient, but because the eye keeps finding points of support: a tower at the end of a street, a composed square, a precise silhouette, a strong volume on the horizon. In a well-designed city, landmarks do more than enhance the view. They lead people, set the rhythm of movement, and gather space into a coherent whole.

That is why urban architecture is not a collection of striking objects. It is a system of visual reference points that makes a route clear and the environment alive. When visual accents are placed with precision, the city becomes easy to read. When they are absent, even expensive development dissolves into background.

18/04/2026

Marble is far too serious a material to be chosen by eye alone. Every powerful stone carries its own geography: Carrara, Greece, Turkey, Portugal, the Middle East. Each has its own character, density, rhythm - its own way of holding space.

That is why the question always runs deeper than selecting a pattern. One marble creates an immediate effect. Another gathers the interior into itself and gives it maturity. And that difference is born not in the showroom, but much earlier - in the quarry, in the strata, in the very origin of the material.

04/04/2026

This interior is the result of a precise reconstruction, developed within an existing architectural framework. Projects like this require a particular approach: the task is not to begin from a blank slate, but to work with the original proportions, constraints, spatial plasticity, and material foundation of the space. Reconstruction is a layered process in which every new decision must be carefully aligned with what is already there.

The existing floor became the central point of departure for this process. We preserved it, and from it began to build the new interior logic. Its tone, format, and visual rhythm set the direction for the entire composition, defined the palette, and helped connect the new design language to the architecture of the house.

The sculptural staircase became the main spatial accent. It introduced a sense of movement into the interior, while the rounded forms of the furniture echoed and reinforced that line. In this way, the space came together as a cohesive, calm, and architecturally precise whole.

13/03/2026

Sometimes inspiration arrives not in the quiet of the office, but in places where art has already left its mark.

Mougins is one of them. A medieval village between the sea and the mountains, with streets spiraling around its historic center, more than 30 galleries and studios, and a distinct artistic memory of the 20th century. It was here that Picasso truly fell in love with Mougins in 1936, and later settled near Notre-Dame-de-Vie, where he spent the final years of his life.

For us, places like this are never just a beautiful backdrop. They sharpen the eye. In Mougins especially, you can feel how culture, landscape, and architecture begin to speak in one voice - and that is exactly where more precise, more thoughtful design begins.

06/03/2026

The most expensive mistake is the one discovered too late.
Distance only accelerates that moment.

When a project is developed across continents, illusions disappear. There is no “we’ll refine it later,” no hiding imprecision behind another meeting, no masking compromise with personal presence. What remains is the quality of the decision itself.

In our projects, that risk is addressed at the level of decisions from the start. You can see how this translates into built work at .

Scale is not measured in kilometers. It is measured in the ability to hold one standard, in any context.

13/02/2026

Some buildings look good from afar. Others make you want to come closer.

With high-rise architecture, this distinction becomes especially clear. At that scale, everything reads faster. The city turns into a backdrop, and every decision begins to shape the overall impression. There is no room for randomness here.

The base establishes a dialogue with the street and calibrates the transition into verticality. The middle section sets the rhythm and holds the volume together. The crown defines the silhouette and leaves its mark on the skyline.

A vertical landmark is justified only when it is precisely woven into the fabric of the city.

13/02/2026

Venice hides on purpose.

Masks, shadows, façades over water - reads this city as a lesson in restraint. Nothing is fully revealed, and that is where desire begins.

A threshold becomes a question. A façade becomes a promise.

If you value what is not obvious, you already speak our language.

12/02/2026

Modernity without rupture

A new residential complex in brick - disciplined in volume, precise in proportion. Early 20th-century architecture is not copied here; it is reinterpreted. The work unfolds in the façades: rhythm of windows, depth of openings, quiet brick detailing that carries memory without turning into nostalgia.

Against surrounding glass towers, the contrast sharpens its presence. The building does not compete. It holds its line.

If this is your understanding of contemporary architecture, explore more at

06/02/2026

This residential and civic complex began beyond the facade, beyond an image.
It began with the question that always comes first - how a building enters the urban fabric, and how the city responds from within.

Architectural design, as we understand it, is work with scale, proportion, and time.
A classical structure here holds the rhythm of the street and gives the space stability. Glass facades are integrated as a functional layer - opening the inner courtyard, filling it with light, and connecting public and residential areas while preserving architectural hierarchy.

We designed more than a form. We designed scenarios of life.
How a person enters and slows down.
How the space functions by day and by evening.
How the courtyard remains composed at varying levels of activity.

This defines architectural service in our understanding.
It lives beyond style and visual effect.
It exists as a system of precise decisions through which a building maintains clarity, relevance, and longevity - regardless of time or context.

Indirizzo

Via Marcona 15
Milan
202129

Orario di apertura

Lunedì 09:00 - 18:00
Martedì 09:00 - 18:00
Mercoledì 09:00 - 18:00
Giovedì 09:00 - 18:00
Venerdì 09:00 - 18:00

Telefono

+393920201195

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