Treivas

04/05/2025

Interior Design | 304 l SIGHT l 2019

The restaurant comprises two areas: at the entrance guests can enjoy their coffee or work with their laptop, while at the back of the room a nice slow lunch can be savoured. Shimmering and semi-transparent surfaces create a pleasant feeling of weightlessness, turning Sight into an ideal place for meditative dining.

📸 photo by

23/04/2025

Architecture | 308 | SUZDAL DACHA | 2019

This country house combines minimalist core with vernacular traditional facades. Neutral background defines the wood-carved lace of window frames and ledges. Ornate decor contrasts with a modern terrace: minimalist structure reduces the general historicism of architecture, although this space does have an element of a play. Wood-carved column is inspired by sculptures of Constantin Brâncuși and artefacts of folks arts.

📸 photo by Yuri Palmin
.shishina .shelove

22/04/2025

Architecture & Interior Design | 308 | SUZDAL DACHA | 2019

In this modernized version of a country house icons of collectible design are mixed with vintage finds and custom-made pieces. Artworks mark the transitions between textures and living spaces of the interior and serve as guiding lights ✨

📸 photo by Yuri Palmin
.shishina .shelove

17/04/2025

Event | Tel-Aviv Art & Design Fair | March 5-11, 2025

Looking back at TAAD’s first edition: Tel-Aviv Art & Design Fair presented the works of internationally acclaimed Israeli artists along with iconic modern & contemporary design from all over the world.
Our objects Emma In Paraty, Emma Chest Of Drawers, 23°—46° Sao Paulo Special Edition Coffee Table and Acorn-Shaped Box were carefully woven into the visual story told by event’s curators and 💫

📷 Elad Sarig, courtesy of

16/04/2025

02/04/2025

Exhibition Design | 283 | HISTORY OF FASHION: FROM AVANT-GARDE TO GOST | 2015

The complex geometry allows the visitors to experience continually evolving compositions of form, colour & pattern as one moves through space. Bright background plays a crucial role in drawing the eye to small and dainty fabric samples while binding the exhibits together.

📸 photo by

01/04/2025

Exhibition Design | 283 | HISTORY OF FASHION: FROM AVANT-GARDE TO GOST | 2015

Bold interweaving volumes defined the exhibition design in direct reference to the subject of fabric; its structure, patterning and subsequent formation of garments. 

📸 photo by

01/04/2025

Exhibition Design | 283 | HISTORY OF FASHION: FROM AVANT-GARDE TO GOST | 2015

Original sketches, samples of fabrics, photographs, posters, costumes and fashion magazines showcased four decades of textile and fashion design in the Soviet Union. This sportswear created by avant-garde artist Varvara Stepanova in 1923 has marked the beginning of the new era: functional and simple clothes which embodied the idealistic aspirations of early Soviet Union.

📸 photo by

26/03/2025

Exhibition Design | 319 | The Fashion Museum | 2018

This playful babooshka showcase demonstrates the transparency of exhibition design. The show stretches beyond the interior of the pavilion projecting onto the facade, as the flower-in-bloom shaped podiums and mannequins can be spotted from the street 🔍

📸 photo by

25/03/2025

Exhibition Design | 319 | THE FASHION MUSEUM | 2018

Flower power: the elaborate ornamentalism of the exhibition conjures up the atmosphere of 1960s. Its core element is the flower petal. The motif is reproduced in voluminous wall panels as well as the outline of exhibition constructions 🌸

📸 photo by

25/03/2025

Exhibition Design | 319 | The Fashion Museum

Our first encounter with vibrant collection of sartorial masterpieces took place at the year-long project called ‘Fashion Museum’. The exhibition design celebrating the 20th century costume is reminiscent of a typical department store of the 1960s, where the restored garments look as if they are about to be bought 🛍️
via .app

18/03/2025

Exhibition Design | 333 | VISITOR’S PORTRAIT | 2019

The exhibition scenography is based on white geometric podiums and contrasting red details. Another distinctive element is the red diamond gradient pattern on the facade. Echoing simple geometric shapes, it creates eye-catching flecks of light in the pavilion on sunny days ☀️

📸 photo by