AbdulBig Art - Studio

AbdulBig Art - Studio Figurative & Environmental Artist 🌱 🎨

Studio Session 🎨
19/04/2026

Studio Session 🎨

Acrylic/Oil on Canvas 🎨🖌
18/04/2026

Acrylic/Oil on Canvas 🎨🖌

Why Oranges aren't always orange in color yet called orange?Oil on Canvas
27/03/2026

Why Oranges aren't always orange in color yet called orange?
Oil on Canvas

Oil on Canvas 💛
26/03/2026

Oil on Canvas 💛

21/11/2025

🎨🖌

Epicenter of one of the world’s worst humanitarian and displacement crises..💔 🇸🇩
21/10/2025

Epicenter of one of the world’s worst humanitarian and displacement crises..💔
🇸🇩

The quiet fading of our collective heritage and the persistence of unsustainable practices continue to befall our ecosys...
20/10/2025

The quiet fading of our collective heritage and the persistence of unsustainable practices continue to befall our ecosystem, threatening both our identity and the planet’s balance.

The abstract surfaces of this work carry holes as metaphors—each opening tells a story; a scar, a silence, or a forgotten story.
🎨'Loopholes We Inherited '

🎨Loopholes We Inherited: is a triptych framed with reclaimed bicycle tyres, each circular form punctured with fabricated...
19/10/2025

🎨Loopholes We Inherited: is a triptych framed with reclaimed bicycle tyres, each circular form punctured with fabricated openings that symbolize scars. fractures, and absences-metaphors for what has been lost, neglected, or erased from our collective identity. The series addresses both cultural dispossession and environmental degradation, presenting inherited wounds while imagining the possibility of resilience.

Cultural Erosion (First Panel): Within its openings appear images of Nigeria's stolen artifacts, the Benin bronzes, Ife bronze heads, Nok terracottas, juxtaposed with Hausa, Igbo, and Yoruba symbols. The work critiques Eurocentric dismissals of African traditions as primitive, revealing ruptures in cultural memory and the commodification of heritage abroad.

The Bridge (Second Panel): This piece highlights the inseparable bond between environment and heritage. Inscriptions etched into its perforations remind viewers that land and water sustain not only life but also cultural practices, such as the Argungu Fishing Festival. It interrogates unsustainable practices that pollute traditions rooted in nature.

Stage of Existence (Third Panel): Here, the earth is symbolized as a circular globe spilling with rags-an emblem of pollution and filth that threatens both ecology and memory. The work questions what becomes of cultural, religious, social, and political life when the very stage of existence; nature itself disappears.

Collectively, the triptych confronts inherited cultural and ecological ruptures, interrogating the costs of exploitation while urging a reclamation rooted in sustainability. By using discarded materials to reconstruct memory, I reframes heritage as both vulnerable and enduring, calling for a future where continuity and identity are preserved through care for the environment.

Loopholes We Inherited (Triptych)
Medium: Mixed media
Dimensions: Three circular frames, each
27 inches in diameter
Medium: Mixed-Media (Scrap Tyres)
Year: 2025


07/07/2025

The Lost Harmony of Nature is a powerful commentary on the environmental toll of human activity. Created with Organic mixed media, this large-scale piece reflects on deforestation and industrialisation's impact on our ecosystem. It serves as a clarion call to address these urgent issues and preserve the delicate balance of Nature. .big.art

Artist: Saidu Abdulmumini Degri
Medium: Mixed-Media
Size: 7ft by 4ft
Year: 2024

🗑🌏Waste not, create lots from trash to treasure.!!'Buried in Waste'Mixed-media 90cm x 90cm 2025
05/06/2025

🗑🌏
Waste not, create lots from trash to treasure.!!
'Buried in Waste'
Mixed-media
90cm x 90cm
2025

25/05/2025

ART
Speaker: Judith & Kahl in Nachtland

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Gombe

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