I’ve been working with wood on and off for a very long time. It’s not my day job, though you never know, it one day might be. My approach to woodworking and the usage of wood is sometimes quite far from the average woodworker, and specifically the fine furniture woodworker. I try to always use each and every little bit of wood available. I don’t select or deselect stock on colour variances; I nor
mally don’t deselect stock because of grain variances or knots (unless it would cause an obvious construction issue with the project). I want to use as much as I can of this wonderful, natural (and therefore naturally varying) resource. I feel if you want a piece of furniture without any natural variation, you probably want melamine, and not real wood. More often than not, I will adjust the plans of whatever I’m making, to better make use of the stock available. I work alone, in my workshop (The Man Den) and make use of a whole assortment of hand and power tools. Every now and then (as the zen moves me) I do a project Japanese style – without any power tools involved. Hand saws sawing, chisels chiseling, planes planing and the odd “BANZAI!!” shout – although I have to admit when it comes to sanding, I’ve been known to go Japanese in another way. Start where you are, use what you have and do what you can. This inspires me no end, and though I’m not a Luddite in any way shape or form, I tend to hand-make most of the jigs, templates and aids I need – this usually not as much due to inspiration or zen as financial constraints. On average I will have multiple projects/commissions running at the same time – often one inspiring another, and most projects usually end up more complicated and intricate than it strictly needs to be, because as I told someone recently...
It’s not about having a chest, it’s about making a chest.