DAAR DAAR (Decolonizing Architecture Art Research) is an architectural studio and artistic residency prog

DAAR’s work combines conceptual speculations and pragmatic spatial interventions, discourse and collective learning. DAAR explores possibilities for the reuse, subversion and profanation of actual structure of domination: from evacuated military bases to the transformation of refugee camps, from uncompleted governmental structures to the remains of destroyed villages. DAAR projects have been shown

showed in various biennales and museums, among them Venice Biennale, Home Works in Beirut, the Istanbul Biennial, the Bozar in Brussels, NGBK in Berlin, The Architecture Biennale Rotterdam, Architekturforum Tirol in Innsbruk, the Tate in London, the Oslo Triennial, the Centre Pompidou in Paris and many other places. DAAR’s members have taught lectured and published internationally.

07/05/2026

Sandi Hilal and Alessandro Petti named inaugural recipients of the Kyong Park Prize for Art and Architecture.

Conferenza a Napoli, 6 Maggio 2026
27/04/2026

Conferenza a Napoli, 6 Maggio 2026

Haṣīra (حصیرة): Framing and Unframingat Biennale of Sydney 2026Drawn from the Arabic word haṣīra (حصیرة), meaning a port...
26/02/2026

Haṣīra (حصیرة): Framing and Unframing
at Biennale of Sydney 2026

Drawn from the Arabic word haṣīra (حصیرة), meaning a portable, adaptable woven mat the haṣīra is able to turn any ground into a place for sitting, meeting, hosting, mourning, celebrating, striking, and gathering. Its root ح-ص-ر (h-ṣ-r) means to frame, to enclose, to define limits. In Palestine and across the Arab world, the haṣīra frames territory, creates a room without walls, and declares: Here we host. Here we belong for as long as we are here.

To frame is to make a space, to lay the haṣīra (حصیرة) and call others in. To unframe is to refuse the limits imposed on where, how, and why we gather. Each time the haṣīra (حصیرة) is unrolled, it becomes as concrete as the ground it rests on. Light enough to carry under one arm, it adapts to each terrain, moves freely, and transforms spaces without waiting for permission. This adaptability is not just practical, it is political allowing gatherings to unfold in places where formal architecture is absent or denied.

As part of the collaboration with Think+DO Tank Foundation, the program will see 4 formal sessions where participants will gather on haṣīra laid on public space on unceded Aboriginal Land, where people of different geographies speak to one another through facilitated discussion and where grief, refusal, joy, and co-struggle can be shared.

Participants will be provided with food and refreshments.

Through this open call, we are inviting you to apply to become part of a core haṣīra group that will follow the entire haṣīra iteration. As a member, you will also be invited to bring friends, companions, and guests as hosts, welcoming them into the process and into the ḥaṣīra community.

For us, this open call is not only about participation in individual sessions, but about beginning to build a core haṣīra community, one based on continuity, hospitality, and shared responsibility.

Commissioned by the Biennale of Sydney and Rubaiya Qatar, Qatar Museums Authority, with generous support from Alserkal Arts Foundation.

📍 Dates: 5–16 March & 6 June
⏱ Duration: 2 hours per session
📩 Apply: [email protected]



Artist Spotlight Talk: DAAR
📍 Chau Chak Wing Museum
🗓 Friday 13 March
⏰ 12–1 PM
🎟 Free event

RIBA Charles Jencks Award lecture, London 30 May 2025 -
12/11/2025

RIBA Charles Jencks Award lecture, London 30 May 2025 -

The Jencks Foundation at The Cosmic House and the Royal Institute of British Architects (RIBA) are pleased to announce that DAAR received the 2025 RIBA Charl...

At a historical moment marked by colonial destruction and fragmentation, ‘DAAS in Sharjah’ cultivates communities ground...
23/10/2025

At a historical moment marked by colonial destruction and fragmentation, ‘DAAS in Sharjah’ cultivates communities grounded in affect and knowledge. The DAAS Public Programme brings together participants, guests, and the broader community for a week of collective conversations across Sharjah. From art and architecture to curatorial practices, hybrid identities, memory, resistance, and land, each session unfolds as a dialogue shaped by lived experiences and research. Through readings, discussions, and shared meals, the programme explores how sites, whether a camp, a city, a rooftop, or a piece of fabric, become methods of learning, resisting, and reimagining. The week culminates in open exchanges and a reflection on the art of conversation as both method and practice.

full program

https://www.sharjaharchitecture.org/public/uploads/posts/external_files/58d4444a5b9b7b4631e061f714caeba4.pdf

𝐓𝐡𝐞 𝐫𝐢𝐠𝐡𝐭 𝐭𝐨 𝐇𝐨𝐬𝐭: 𝐂𝐨𝐦𝐦𝐨𝐧𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐫𝐢𝐯𝐚𝐭𝐞𝐒𝐭𝐚𝐯𝐬𝐧ä𝐬, 𝐒𝐭𝐨𝐜𝐤𝐡𝐨𝐥𝐦 𝐀𝐫𝐜𝐡𝐢𝐩𝐞𝐥𝐚𝐠𝐨𝐀𝐮𝐠𝐮𝐬𝐭 𝟑𝟎-𝟑𝟏Who has the right to host? Who is per...
21/08/2025

𝐓𝐡𝐞 𝐫𝐢𝐠𝐡𝐭 𝐭𝐨 𝐇𝐨𝐬𝐭: 𝐂𝐨𝐦𝐦𝐨𝐧𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐫𝐢𝐯𝐚𝐭𝐞
𝐒𝐭𝐚𝐯𝐬𝐧ä𝐬, 𝐒𝐭𝐨𝐜𝐤𝐡𝐨𝐥𝐦 𝐀𝐫𝐜𝐡𝐢𝐩𝐞𝐥𝐚𝐠𝐨
𝐀𝐮𝐠𝐮𝐬𝐭 𝟑𝟎-𝟑𝟏
Who has the right to host? Who is permitted to claim space, to bring others together, to hold complexity, grief, joy, and struggle in shared form? Who is allowed to dwell, to belong? And under what conditions?
At a time of escalating violence, genocide, and starvation in Gaza, and amid deepening global asymmetries of care, grief, and dispossession, we return to the concept of hosting as a political practice. Hosting is not merely a cultural or personal gesture of welcoming, but a claim to hold space, to make visible, to claim agency, and to insist on the right to presence and collective reflection. To host is to interrupt erasure, to assert forms of belonging that challenge dominant narratives of exclusion, and to reimagine space as shared, contested, and negotiated.
This two-day public program takes place within the rural landscape of Stavsnäs in the Stockholm Archipelago, but it does not remain there. The rural is approached as a lens—a situated space from which to examine broader structures of exclusion and belonging. In Scandinavia, such landscapes are often framed as spaces of purity and retreat, where leisure and care seem like natural rights. Yet they also expose the social, racial, and economic boundaries that govern access to land, rest, time, and the right to host.
This gathering explores the right to host as a framework for rethinking collective responsibility, cultural infrastructure, and the politics of care. Through conversations, situated reflections, and collective inquiry, we will explore how self-care is shaped by neoliberal and racialized contexts; how infrastructures of commoning might redistribute resources and enable new forms of access; and how hosting can function as a radical political tool, not simply a gesture of generosity. Together, we will reflect on how these concepts are made available—or withheld—across different communities and positionalities.
𝐏𝐫𝐨𝐠𝐫𝐚𝐦
𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲, 𝟑𝟎 𝐀𝐮𝐠𝐮𝐬𝐭
12:00 – 12:45 Brunch
12:45 – 13:00 Gathering & Opening
13:00 – 14:00 Sandi Hilal — Self-Determination as Collective Practice
14:15 – 15:15 Aziza Harmel & Reyhaneh Mirjahani — The Uninvited Host
15:15 – 16:00 Coffee Break
16:00 – 17:00 Cassie Thornton & Ida Bencke — TBC
17:00 – 18:00 Judith Wielander & Matteo Lucchetti — Visible: Art as Policies for Care (2010—ongoing) — Book Launch & Discussion
18:00 – 20:00 Dinner & Cooking Around the Fire
𝐒𝐮𝐧𝐝𝐚𝐲, 𝟑𝟏 𝐀𝐮𝐠𝐮𝐬𝐭
12:30 – 18:00 Cooking & Conversation Around the Fire
📍𝐋𝐨𝐜𝐚𝐭𝐢𝐨𝐧: Storskogsvägen 19, 139 71 Stavsnäs
Access via bus from Slussen — 5 min walk from the bus stop
No registration is needed and it's a free event. Food is provided, just bring your drink if you wish for.
————————————
The program is co-curated by DAAR, Hosting Lands (Dea Antonsen, Ida Bencke and Aziza Harmel), and Reyhaneh Mirjahani. It is supported by Nordisk Kulturfond, Bikubenfonden and the research project Oikos - Climate and Care in the 21st century, University of Copenhagen.
The event takes place at The Summer House in Stavsnäs in the Stockholm Archipelago, an initiative by DAAR (Decolonizing Architecture Art Research) whose story begins far from the forested islands of Sweden. It is shaped by years of living and working in Palestine and by a project in the northern Swedish town of Boden, commissioned by the Swedish Public Art Agency, which transformed a room in a refugee housing facility into Al Madhafah—a living room where refugees could reclaim the right to host rather than remain eternal guests. When that space was abruptly taken back by authorities, DAAR responded by transforming a site of leisure and exclusion, a private summer house, into a shared space of radical hospitality. The Summer House is not simply a building but an ongoing practice of commoning the private, reclaiming the act of hosting as a form of self-determination.

OPEN CALL: Decolonizing Architecture Advanced Studies 2025/26: Encampments. In the past year, student encampments have r...
23/03/2025

OPEN CALL: Decolonizing Architecture Advanced Studies 2025/26: Encampments. In the past year, student encampments have re-emerged as powerful sites of protest against Israel’s regime of colonization, occupation, and apartheid in Palestine, as well as the complicit silence of Western universities and governments that provide support for Israel’s war crimes and genocide in Gaza. Moreover, student encampments have been an extraordinary laboratory for commoning practices and student-led critical pedagogies. This program will provide a space to critically reflect on the historical events of the past year, examining their impact on higher education, academic freedom, and critical thinking.

In the past year, student encampments have re-emerged as powerful sites of protest against Israel’s regime of colonization, occupation, and apartheid in Palestine, as well as the complicit silence of Western universities and governments that provide support for Israel’s war crimes and genocide i...

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