SP/N Art and Architectural Design studio

We are very happy to share that sp/n will be part of the CHAT 2026 Artist-in-Residence Programme.  From June to Septembe...
03/06/2026

We are very happy to share that sp/n will be part of the CHAT 2026 Artist-in-Residence Programme.

From June to September, the two of us will be spending time in Hong Kong, learning from the city, and continuing our research around shared ground, textile, and everyday forms of gathering.

Thank you, CHAT, for this kind invitation and opportunity. We would also like to thank Cathleen Siming Pan and everyone at CHAT for the conversations, support, and care throughout the process.

We are really looking forward to collaborating with Su Chang , and to continuing this conversation together.

sp/n
CHAT 2026 Artist-in-Residence Programme
Jun–Sep 2026

A place for another paceA wooden ground rises, lowers, and stretches across the room, offering small moments of staying:...
02/06/2026

A place for another pace

A wooden ground rises, lowers, and stretches across the room, offering small moments of staying: near the windows, along the raised edge, between the works, or simply on the floor. Within this quiet spatial adjustment, each visitor is invited to define their own parameters of pace, distance, and orientation.

A Pause, Amanda Heng
Singapore Pavilion
Curated by Selene Yap

Architectural design by sp/n

61st International Art Exhibition, La Biennale di Venezia

Image courtesy of Singapore Art Museum

 

BANGKOK CITYCITY GALLERY’s Music Project brings together listening, reading, browsing, gathering, archiving, and perform...
29/05/2026

BANGKOK CITYCITY GALLERY’s Music Project brings together listening, reading, browsing, gathering, archiving, and performance. sp/n‘s design begins from these existing conditions, proposing a setting that invites them to overlap and be inhabited.

Within the gallery, the design forms a more concentrated listening area while remaining connected to the space around it. Its loose oval arrangement avoids a single front, allowing people, activity, and sound to be approached from different positions. Around the structure, entry is stretched into a gradual threshold, where visitors circulate along the gallery wall before moving toward the listening area.

The structure is treated less as a standalone object than as something inhabitable within the gallery. Slightly lifted from the floor, it lets the gallery floor continue beneath it and softens the weight of the perimeter. It offers seating and acoustic surfaces, while its frame becomes a framework for speaker placement: selected grid intersections serve as clamp points, with sound-absorbing panels set within the grid. Leaning gently inward, it gathers bodies and sound without fully enclosing them. Open above, the interior receives natural light through the fabric ceiling, shifting quietly throughout the day.

The project hopes to make room for collective attention, where listening and informal use become part of how the Music Project is inhabited.

Photographs © .247

MUSIC PROJECT
BOOKSHOP LIBRARY .library
BANGKOK CITYCITY GALLERY
23 May to 22 August 2026

A platform for listening, reading, browsing, waiting, working, gathering, and staying near live or recorded sound.Bangko...
23/05/2026

A platform for listening, reading, browsing, waiting, working, gathering, and staying near live or recorded sound.
Bangkok CityCity’s Music Project opens today. Working closely with the gallery, sp/n began from what was already there, proposing a setting where these can overlap and be inhabited in the same space, without asking for a particular kind of attention.
A place for collective attention.
We’ll share more next week.

Music project
Bangkok citycity gallery

23 May - 22 August 2026
Thu - sat 13:00-18:00

Amanda Heng: A PauseOpening to the public today.We are grateful to be part of the Singapore Pavilion for Amanda Heng: A ...
09/05/2026

Amanda Heng: A Pause
Opening to the public today.

We are grateful to be part of the Singapore Pavilion for Amanda Heng: A Pause, curated by Selene Yap.

Congratulations to Amanda, Selene, and the whole team. Thank you to everyone who made this possible.

Singapore Pavilion
61st International Art Exhibition, La Biennale di Venezia
May 9 – November 22, 2026

Image courtesy of Singapore Art Museum

Singapore Pavilion61st International Art Exhibition, La Biennale di VeneziaAmanda Heng, A PauseCurated by Selene YapAman...
07/05/2026

Singapore Pavilion
61st International Art Exhibition, La Biennale di Venezia
Amanda Heng, A Pause
Curated by Selene Yap

Amanda Heng presents a body of work centred on everyday gestures: walking, waiting, sitting, and pausing. Her practice attends to the body as a site of lived memory and social encounter, where simple actions hold questions of care, connection, resilience, and time.

In close dialogue with Amanda Heng and Selene Yap, sp/n developed a site-specific architectural intervention that begins from these everyday gestures and the time held within them.

Rather than making a space to be understood all at once, we approached the pavilion as a ground that unfolds slowly through the body. A series of larch wood platforms forms a gradual stepped ground, gently rising and returning across the space. Its movement is simple, but it changes how the space is entered, crossed, and stayed with.

The work began from observing the existing site, the Arsenale, and the everyday pace of Venice, where people often pause, lean, rest, look out, or wait along edges and thresholds. These ordinary moments became part of how we thought about the pavilion.

The stepped ground invites visitors to become more aware of their own pace: to move slowly, to sit, to look through the windows, to stay near the work, or to spend time without needing to arrive at a fixed position. In this way, the space does not separate viewing from inhabiting. Walking, pausing, sitting, and looking become part of the same experience.

We hope the pavilion can quietly hold these small movements: the body shifting, time passing, and the ordinary pauses between Amanda’s work, Selene’s curatorial framing, the pavilion, and the city outside.

Artist: Amanda Heng
Curator: Selene Yap
Architectural Design: sp/n, Bangkok
Pavilion Fabricators: eiletz ortigas | architects, Ljubljana; Rebiennale, Venice
Lighting Design: Phanumas Siriwattanagul
Exhibition Identity and Graphic Design: Currency, Singapore
Commissioned by: National Arts Council, Singapore
Organised by: Singapore Art Museum

Image courtesy of Singapore Art Museum

We’re happy to support  for his exhibition at Thailand Biennale 2025. Set within an abandoned public market in Phuket, t...
19/12/2025

We’re happy to support for his exhibition at Thailand Biennale 2025. Set within an abandoned public market in Phuket, the project operates through a vertical sequence of sound, architecture, and ecology, activating unfinished structures and accumulated histories to reflect on cohabitation and non-human economies.

Sound moves through the building, drifting between air and water, above and below. Bird calls settle into wooden structures shaped after commercial swiftlet nests, while coral soundscapes surface from a flooded architectural void, where an image floats just above still water.

Structurally, the project unfolds as a vertical system. Sonic works activate unfinished market spaces, submerged parking areas, and the thresholds between them, using sound as an infrastructural element that binds disparate architectural conditions. Photographs laid across structures originally intended as market stalls hold fragments of collective life, movement, and interruption. Together, the works bind air and water, above and below, into a continuous spatial system of cohabitation and non-human economies.

Honored to support this project.

Photographs © .247 . Courtesy of Pratchaya Phinthong.

We’re truly honored that URBAN BED / MINUTE POCKET has been selected as a Mark Winner of the Golden Pin Design Award 202...
04/11/2025

We’re truly honored that URBAN BED / MINUTE POCKET has been selected as a Mark Winner of the Golden Pin Design Award 2025 in the Spatial Design, Temporary Building category.

Developed with Creative Economy Agency (CEA) and Urban Ally, the project explores shared urban spaces and temporary structures as platforms for collective use and imagination.

Thank you to everyone who brought such vibrant energy. From quiet moments of rest to lively gatherings. We hope this installation offers a glimpse into the potential of urban lands awaiting development, imagining them as open grounds shaped by the needs of their communities.

A place to relax, to recharge, to share conversations, and to be embraced by those around it.

Design by SP/N
Irin Siriwattanagul, Nathaphon Phantounarakul, Phanumas Siriwattanagul

Expensive to be Poor, in collaboration with SP/N, is pleased to present a solo exhibition by Atit Sornsongkram. Taking p...
18/10/2025

Expensive to be Poor, in collaboration with SP/N, is pleased to present a solo exhibition by Atit Sornsongkram. Taking place in a former SP/N architectural design studio, this distinctive site marks the point of departure for ‘Photograph: a body of images’, an exhibition that explores the possibilities of working with photography through its origins, processes, materials, and site-responsive presentations.

In this exhibition, Atit composes and assembles works to create a spatial field of interwoven visual dimensions, where images are not only seen but experienced through layers of process and material encounter, both visible and integrated. His practice expands the boundaries of photography beyond its representational function, approaching the image as an active object, one that constructs, fabricates, and transforms our perceptions.

Office renovation
01/10/2025

Office renovation

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92 Santiphap Road , Pomprab, Pomprap Sattru Phai
Bangkok
10100

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พุธ 10:00 - 19:00
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