07/03/2026
去年底與設研院、團隊及東海的夥伴們共同完成的奇幻冒險✨🤜🤛✨_
▌(Re):P- 包裝現在室 -- 減碳包裝設計成果展 ▌
空 間 _ ░「循環的｜工業｜實驗」░
一場關於重新思考包裝價值的設計實驗。展場以馬口鐵盒構築模組結構，具可回收與再利用特性，也回應常民對包裝文化的反思與延續。其堅硬質地轉化為空間語言，模糊包裝、建材與展示之間的邊界，構築出具實驗感的展示場域 _
空間如同一座被拆解的包裝原型工廠，觀眾得以穿行於不同的模組單元之間，觀察設計如何在材料與結構上實踐減碳。這些以工業日常為基底的展示櫃體，也象徵包裝設計從「商品外殼」轉化為當代的「永續載體」_
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視 覺 _ ░ 重思、再製、實驗與無限可能的未來 ░
展名中「( )」象徵充滿可能的未來，而「re:p」則指向重思（rethink） 、再製（repack）、實驗（prototype）等多重意涵，反映我們對包裝於當代轉型中的開放態度與持續追問 _
主視覺以包裝盒剪影為元素，以粉色、綠色與馬口鐵的銀灰色為主視覺配色，透過三種色彩在感性與理性、自然與工業之間的交織，呈現簡化結構與堆疊模組的構圖語彙，象徵減碳設計的可行框架；畫面中的留白與模糊地帶，則成為開放的感知空間，邀請觀者想像與詮釋， 共同參與對未來生活樣貌的提案 _
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░ 減碳實踐的前後轉變：從設計思維到生產行動 ░
「(re):p－包裝現在室」是一場關於包裝未來可能的集體提問 _
當「包裝」不只是包住商品，而是包住思考、實驗與未來的想像 — 這場展覽由 Üroborus_studioLab 共序工事 與 東海大學工業設計系學生 攜手合作，以 2,400件馬口鐵、7,000件3D列印扣環 構築出可被重組的模組空間，模糊包裝、建材與展示之間的界線，讓展覽本身成為一個「正在發生的現在室」_
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░ 減碳設計的深化與轉譯 ░
在全球減碳趨勢的推動下，設計不再只是產品美學，而是一種落實永續行動。本展著重於「轉譯」—將永續概念轉化為具體可行的設計策略 _
許多企業透過單一材質的應用、可分解材料的導入，或減少油墨印刷等方式，有效降低製程碳排；部分案例則展現如何以包裝結構的優化與再利用設計、減少塑膠用量，兼顧成本與環境效益。 這些案例不僅呈現技術革新的進步，更象徵包裝設計「保護與形象加乘」、「責任與永續」的價值升級 _
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░ 回看與前行：減碳設計的未來視野 ░
展覽以對比的形式，讓觀者直觀地感受減碳設計的可行性與多樣面貌，也邀請大家重新思考「包裝」的角色與意義—它不僅是產品的外衣，更是傳遞環境意識與社會責任的媒介 _
未來，減碳包裝將不再只是企業的附加選項，而是設計思維中不可或缺的核心策略。透過本展，我們看見從「設計」到「製造」、從「理念」到「行動」的完整轉變，也見證了台灣中小企業在永續路上的集體實踐 _
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"(re):p — Packing Lab " is a collective inquiry into the future possibilities of packaging. In the exhibition title, “( )” symbolizes an open field of possibilities, while “re:p” refers to multiple meanings such as rethink, repack, and prototype, reflecting our ongo- ing curiosity and open attitude toward the transformation of packaging in contemporary contexts.
Building on the curatorial vision of the first Low-Carbon Packaging Design Exhibition, this exhibition focuses on the process of translating design concepts into real-world practic- es. Through comparative case studies, it presents the tangible changes and outcomes of packaging before and after adopting low-carbon strategies.
Organized by International Trade Administration, and jointly guided by Taiwan Design Research Institute (TDRI) and Taiwan External Trade Development Council (TAITRA), the exhibition gathers real cases from 70 small and medium-sized enterprises, showcasing their concrete achievements after implementing carbon-reduction strategies.
The exhibition adopts a “before / after” format to showcase the transformation of pack- aging design in aspects such as material substitution, structural simplification, ink reduc- tion, and reuse, allowing visitors to intuitively perceive how design evolves from concept to action — and how it results in carbon reduction.
Under the global movement toward carbon reduction, design has evolved beyond aesthet- ics—it has become a force for action.
This exhibition centers on the idea of “translation” — transforming the concept of sus- tainability into tangible and actionable design strategies. Many companies have effectively reduced carbon emissions through approaches such as using mono-materials, introducing biodegradable materials, or minimizing ink usage in their production processes. Some cases further demonstrate how optimized structural design and reusable packaging can balance both cost efficiency and environmental responsibility. These examples not only showcase advances in technology but also embody a fundamental shift in the values of packaging design — focusing on protection and brand image to enhanceme responsibility and sustainability.
Presented in a comparative format, the exhibition allows visitors to intuitively experience the feasibility and diversity of low-carbon design, while inviting them to reconsider the role and meaning of “packaging.” It is not merely the outer layer of a product, but a medium for conveying environmental awareness and social responsibility. In the future, low-carbon packaging will no longer be an optional feature for businesses, but a core strategy within design thinking. Through this exhibition, we witness the complete transformation from design to manufacturing, from concept to action, and together celebrate the collective ef- forts of Taiwan’s small to medium-sized enterprises in sustainability advancement.
The exhibition space is constructed with modular units made from tin boxes, materials that embody both recyclability and the potential for re-manufactur- ing. This design not only reflects on but also extends the everyday culture of packaging. The rigidity of tin transforms into a spatial language that blurs the boundaries between packaging, construction, and exhibition, creating an environment that feels both experimental and reflective.
The space functions like a deconstructed packaging prototype lab, inviting visitors to move through modular units and observe how design practice translates carbon reduction into tangible form. These display struc- tures—rooted in industrial vernacular—symbolize the shift of packaging design from a commercial shell to a sustainable vessel, turning the exhibition into a “present room” that can be continuously reassembled and re- thought.
The visual identity draws from the silhouettes of packaging boxes, using a palette of pink, green, and metallic gray to represent the dialogue between emotion and reason, nature and industry.
Through simplified structures and modular compositions, the design symbol- izes a feasible and evolving framework for low-carbon packaging. The use of blank and blurred spaces creates an open field for perception and imagina- tion, inviting viewers to interpret and participate—collectively envisioning the possibilities of a more sustainable future.
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主辦單位 | 經濟部國際貿易署
執行單位 | 台灣設計研究院 TDRI
合作單位 | 東海大學工業設計學系 ░ 紀柏謙 ░ 曾致捷 ░ 陳俊浩 ░
策展人 | 洪浩鈞
空間設計 | Üroborus Studiolab / 共 序 工 事 ░ 蔡佳緯 ░ 梅茵 ░
視覺設計 | Üroborus Studiolab / 共 序 工 事 ░ 蔡佳緯 ░
細部設計 | Üroborus Studiolab / 共 序 工 事+東海大學工業設計學系
執行總監 | 黃泓維
專案執行 | 蔡佳緯
專案協力 | 梅茵
工程執行 | Üroborus Studiolab / 共 序 工 事+東海大學工業設計學系
燈光執行 | 大燁照明
空間攝影 | 李易暹攝影工作室 Yi-Hsien Lee and Associates YHLAA
影像模特 | 蔡佳緯、尹佳宜
特別感謝 | 柏楊興業有限公司、東炬有限公司、台灣設計研究院
吳於軒組長、林彤盈專案經理、林盼專案經理
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#三天不眠不休的組裝
#原來搬完2400個馬口鐵要花一整天
#感謝夥伴們的神力一起完成不可能的任務
