Lyons Fine Art Studio

Lyons Fine Art Studio Original pieces available for sale. Serious inquiries only.

Jacqueline Lyons is an oil and acrylic painter who creates metaphorical pieces, the subject matter of which is indicative of the striving of the human psyche and the masks we wear. Jacqueline Lyons is an artist who explores contemporary realism and pop surrealism with both oil and acrylic paint. A graduate student and therapist, Lyons explores themes of mental health and trauma recovery, believing

firmly in the saying coined by Cesar A. Cruz, “Art should comfort the disturbed and disturb the comfortable.”

Because of the therapeutic nature of art, the compliment between art and mental health is present throughout Lyons’ works depicted both literally and through metaphor often depicted by the sea, evocative portraiture, and animal symbolism. For collectors who value complexity, nuance, the macabre, and the meaning-making that comes from the handmade and inspired work of a self-taught artist with an old soul, consider Lyons Fine Art Studio both your respite and your source for the piece which you've been searching.

“Heav’n has no rage, like love to hatred turn’d, / Nor Hell a fury, like a woman scorn’d” - William Congreve, “The Mouri...
05/26/2026

“Heav’n has no rage, like love to hatred turn’d, / Nor Hell a fury, like a woman scorn’d” - William Congreve, “The Mouring Bride”

I’ve been thinking about feminine rage a lot recently, and this is the result. The Furies.

“Furies” (or Erinyes in Ancient Greek) are chthonic goddesses, meaning they harken from the underworld. In some stories they came into being when Chronus overthrew Ouranos and his blood touched the sea.

Their name means “avengers” with Megaera (jealous rage), Tisiphone (vengeful destruction), and Alecto (unceasing anger) seen as the helmsmen of Ananke, who is otherwise known as the personification of Necessity.

Their role? To enact vengeance against mortals for crimes specifically against families. Their mode of punishment of their victims? Incessant pursuit of the culprits and unending wrath that brings on madness, disease, and famine.

Yes, you can thank the Ancient Greeks for this keen insight to the human psyche.

They are often depicted wearing black and brandishing torches, sometimes with wings, and commonly with snakes in their hair or about their persons. My favorite touch is the bloody tears that drip from their eyes.

I had the immense privilege of two dear friends who consented to be my references alongside me for the faces of these divine furies. While many classical pieces depict openly enraged women with teeth gnashing and mouths roaring and eyes bulging, it felt right to me to tap into that more subtle feminine rage we know so well. That moment of quiet, that steely expression, that thunderous warning can be far more dangerous than the demonstrative explosion.

Rage is given to us for a reason. Its uses are innumerable. Let us use our rage for good. And, when considering the world around you, consider that we just might not be enraged enough.

You can also follow on Instagram to see more.
05/11/2026

You can also follow on Instagram to see more.

David Bowie is a muse that I don’t think I’ll ever tire of. The contradiction of harsh and soft lines of his face along ...
04/28/2026

David Bowie is a muse that I don’t think I’ll ever tire of. The contradiction of harsh and soft lines of his face along with the rakish structure of his costuming in Labyrinth translate well in oils. He was a pleasure to paint.

The Goblin King serves an interesting role for Sarah in the film and — to turn a phrase — is not always what he seems. While it is easy to place him as the antagonist who stole her baby brother and throws unnecessary hardship in her path through an already seemingly insurmountable labyrinth, there is more to him than just fae trickster or embodiment of the thrall of jumping into adulthood too fast too soon.

He stands in the interesting position of the embodiment of wish fulfillment.

“Everything that you wanted I have done. You asked that the child be taken. I took him. You cowered before me, I was frightening. I have reordered time. I have turned the world upside down, and I have done it all for you! I am exhausted from living up to your expectations. Isn’t that generous?”

Sarah, a girl who is in the middle of familial struggle in the waking world feels the strain of growing up too fast too soon. She resorts to fairy stories and making wishes. When her wish comes to fruition, she goes on a quest and coming of age story, both literal and metaphorical, to “take back the child that was stolen.” In this subconscious interpretation of her struggles, personified by the Goblin King and embodied by the Labyrinth, her childhood is just as much at stake as her baby brother’s.

[Continued in comments]

04/25/2026

I’m not going to be able to get over this piece for a while ❤️‍🔥 Painstakingly painted in oils, the third part in a four (?) part series, the Goblin King in all his glory 🔮🧝🏼‍♂️

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Tampa, FL
33601–33626, 33629–33631, 33633–33635, 33637, 33646, 33647, 33650, 33655,

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