08/20/2026
The creative process can be wonderfully unpredictable.
Sometimes I wake up with an idea already forming in my head, a color, a shape, an architectural detail, or sometimes almost an entire room like this morning. And when that happens, I want to capture it before it disappears. I often wake up in the middle of the night and start drawing or working on my computer collecting images because else I lose that inspiration.
This minimal eclectic concept started exactly that way.
I began imagining what would happen if I took the ornate architecture of a classic Parisian apartment and introduced something completely unexpected: a bright yellow curved velvet sofa, purple barrel chairs, a sculptural turquoise glass chandelier, contemporary art and a graphic black-and-white floor.
And then I started designing.
On paper, those elements could easily become chaos. But eclectic design works when everything has a reason to be there.
Here, shape is one of the common languages. The curve of the sofa is repeated in the rounded chairs and circular coffee table. In contrast, the angular floor lamp, geometric fireplace and strong lines of the floor speak to one another.
Color creates another connection. The artwork pulls together the yellow, purple, turquoise, black and warmer tones used throughout the room, while the architecture itself remains deliberately neutral, giving everything else room to breathe.
None of these elements need to “match.” They simply need to relate.
Whether I’m designing something farmhouse, traditional, contemporary, minimalist or this eclectic, the fundamentals don’t change: scale, proportion, balance, rhythm, repetition and juxtaposition and all those interior design principles that are created to make a space feel beautiful.
The aesthetic comes from how those principles are applied, the colors we choose, the shapes we repeat, the materials we combine and the contrasts we create.
That’s why good design isn’t really about knowing how to create one particular “look.” It’s about understanding the principles well enough to speak different design languages.
Design history has never stood still. Every era has reacted to what came before it, embracing ornament, rejecting it, rediscovering color, simplifying again and reinventing old ideas in new ways.
We’ve spent years surrounded by gray, greige and extremely restrained interiors.
Maybe it’s time to experiment again.
That doesn’t mean everyone needs a yellow velvet sofa and purple chairs. This room certainly won’t be for everyone and it shouldn’t be.
It means giving ourselves permission to use color, contrast and personality again without abandoning the principles that make a space feel resolved.
Different doesn’t have to mean chaotic, it can still be intentional.
Yellow sofa by Orren Ellis
Chandelier custom size featuring Murano Glass
Floor Lamp by Crate&Barrel
Floradora Swivel Chair by Amy Somerville London