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Read Artwork Beyond the Branches: Expressions of the Natural World Bio:

Connor S Read is an acrylic painter and watercolorist.

A predominantly self-taught artist, Read spent the early part of his career painting portraits and wildlife for friends and family. Read later dedicated himself to painting full-time, and became adept at illustrating beautiful perspectives inspired from his nature outings. Driven to capturing the serenity and beauty of the natural world, often focusing on the majestic forms of birds, his artwork not only shows his unique understanding of form, color, texture and light to capture natural effects, but reveals a signature combination of realism and expression. This is especially clear in his two new paintings of Painted Buntings. Presently, he's learning from Julie Crews in the effort to elevate his work and find his artistic voice. Artist's Statement:

As a bird enthusiast, adventurer, and artist, I am driven to capture the serenity and beauty of the natural world. Through my acrylic and watercolor artworks, I aim to inspire a sense of wonder and awe, while also highlighting the importance of conservation and protection of our planet's precious wildlife and habitats. My art is a journey through the secluded landscapes and habitats that are home to the incredible diversity of bird species. I emphasize the colorful plumage and graceful forms of my avian subjects with bold and vibrant acrylic paint, while my watercolor works are softer and more ethereal, capturing the dreamy quality of misty landscapes and hidden waterways. With every brushstroke, I hope to transport viewers to the wild spaces I've been fortunate enough to experience, and to inspire a sense of responsibility to preserve these treasures for future generations. By combining art and activism, I strive to make a positive impact on the world, one painting at a time.

Two wood ducks, each with their own kind of beauty. I’ve enjoyed exploring the contrast between the male’s iridescent co...
10/22/2026

Two wood ducks, each with their own kind of beauty. I’ve enjoyed exploring the contrast between the male’s iridescent color and the female’s softer, more understated markings through watercolor. A study of the same species through two very different palettes.

“In Full Color” and “Portrait of Presence”, (2026)
watercolor on handmade paper, 5 × 7 in. each

Sometimes, it’s the subtler details that stay with us longest. Not everything remarkable needs to announce itself.“Portr...
10/21/2026

Sometimes, it’s the subtler details that stay with us longest. Not everything remarkable needs to announce itself.

“Portrait of Presence”, (2026)
watercolor on handmade paper, 5 × 7 in.
An original for this weekend’s Wetumpka Wildlife Arts Festival (Wetumpka Wildlife Arts Festival).

The iridescence of a wood duck’s facial feathers is something I never tire of. I want to spend more time exploring these...
10/20/2026

The iridescence of a wood duck’s facial feathers is something I never tire of. I want to spend more time exploring these native species through watercolor, capturing not only their beauty, but the distinctive features and quiet character that make each one so remarkable. Waterfowl may need to find their way into my work more often.

“In Full Color”, (2026)
watercolor on handmade paper, 5 × 7 in.
An original for this weekend’s Wetumpka Wildlife Arts Festival (Wetumpka Wildlife Arts Festival).

There is a particular grace in what endures without losing its gentleness. Once brought to the brink of extinction, the ...
10/16/2026

There is a particular grace in what endures without losing its gentleness. Once brought to the brink of extinction, the whooping crane stands as a testament to the enduring strength of what remains tender in a changing world.

“Weathered Grace”, (2026)
framed watercolor on paper, A5

“Fair Game”, (2026)watercolor on paper, 6 x 14 in.This study reflects on our relationship with the wild places we value ...
10/15/2026

“Fair Game”, (2026)
watercolor on paper, 6 x 14 in.

This study reflects on our relationship with the wild places we value and the responsibility that accompanies our use of them. Here, fairness extends beyond the pursuit itself to encompass the stewardship required to sustain it.

A study in shadow and changing light. |There is often more color in shadow than we initially perceive. Working on this p...
10/09/2026

A study in shadow and changing light. |

There is often more color in shadow than we initially perceive. Working on this piece gave me the opportunity to watch the forest change as dusk settled in. What appeared black contained greens, violets, and unexpected warmth, and those colors continued to shift as evening progressed. Painting has a way of reminding me that seeing and looking are not always the same thing.

“The Temper of Evening”, (2026)
watercolor on paper, 4 x 9 in. (artwork); 9 x 12 in. (framed)

Now available on my website.

I’m honored to have one of my watercolors included in Goldenrod Gallery’s “Interwoven” exhibit this Saturday in Micanopy...
10/08/2026

I’m honored to have one of my watercolors included in Goldenrod Gallery’s “Interwoven” exhibit this Saturday in Micanopy.
For me, painting the natural world is one way of slowing down, paying attention, and celebrating the places and creatures we have a responsibility to protect.
“Interwoven” explores the relationship between art and conservation, and I’m grateful to have my work be part of that conversation.

Saturday, 10 AM – 2 PM
Micanopy Historical Society Museum
607 NE Cholokka Blvd, Thrasher Warehouse #2
Free admission

The location has changed because of the weather forecast, so make sure you head to the Micanopy Historical Society Museum rather than the original location.

“Shelter”, (2026)watercolor on rough paper, 10 x 10 in.Historic Jones Valley Farm, Huntsville, ALPainted en plein air be...
10/02/2026

“Shelter”, (2026)
watercolor on rough paper, 10 x 10 in.

Historic Jones Valley Farm, Huntsville, AL

Painted en plein air beneath a canopy of trees, this study considers the relationship between light, shadow, and living form. The cattle rest within the dappled pasture, their warm bodies emerging and receding in the filtered light. Here, shadow is not absence, but presence -- giving shape to the landscape.

Grateful for the day, the place, and the invitation to look a little longer.

One of my favorite parts of making art is eventually getting to share it in person. |I’m pleased to be part of the Robin...
09/27/2026

One of my favorite parts of making art is eventually getting to share it in person. |

I’m pleased to be part of the Robins Street Art Stroll on Saturday, October 3, where I’ll be bringing a selection of my bird artworks, including some of my more recent work.
The stroll will feature art, live music, local eats, and plenty to discover throughout the day.
If you’re nearby, I’d love to see you there!

A few pieces from the studio are making their way into the Garden this week. | Five of my artworks will be offered at a ...
09/14/2026

A few pieces from the studio are making their way into the Garden this week. |

Five of my artworks will be offered at a special event price and are now available on my website. I’ll also have them with me at Pooches & PUPkins this Thursday, September 17, from 5–7 PM at the Huntsville Botanical Garden, (Huntsville Botanical Garden).
Join us for a lovely evening filled with good company, beautiful surroundings, and plenty of pups. I hope to see you there!

“Last Light”, (2026)
watercolor on handmade, deckle edge A5 paper

“Evening Descent”, (2026)
watercolor on handmade, deckle edge A5 paper

“Marshland Passage”, (2026)
watercolor on handmade, deckle edge A5 paper

“Looking Elsewhere”, (2026)
watercolor on paper, 5.5 x 7 in.

“Pondside Garden”, (2026)
watercolor on handmade, deckle edge A5 paper

Address

2211 Seminole Dr SW
Huntsville, AL
35805

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